International Women’s Day – Saturday, March 8, 2025

International Women’s Day is Saturday, March 8, 2025 . Below are some recommended titles found at UBC Education Library to add to your reading list.

Click on the title to take you to the UBC Library catalogue record for the item.

Juvenile Literature: Collective Biographies

25 women who fought back
Jill Sherman

HQ1236 .S49 2019

Discover 25 women who challenged the status quo and fought for what they believed in.

From all corners of the world, these women show us that barriers are meant to be broken and obstacles can be overcome.

Learn about some of the fierce women who persevered in the face of adversity to fight for what they thought was right.

Little dreamers: visionary women around the world
Vashti Harrison

CT3207 .H37 2018

“Brief, illustrated bios of women creators around the world”–
Featuring the true stories of women creators and thinkers from around the world, throughout history, this book shows that sometimes seeing things a little differently can lead to big changes.

Some names are well known, some are not, but all the women had a lasting effect on the fields they worked in. Whether they were breaking ground for innovative structures or breaking rules and creating new ones, the women profiled here not only made a place for themselves in the world but made the world a better place to live.

Version 1.0.0

She persisted around the world: 13 women who changed history
written by Chelsea Clinton; illustrated by Alexandra Boiger

HQ1123 .C56 2018

She Persisted Around the World is a book for everyone who has ever aimed high and been told to step down, for everyone who has ever raised their voice and been told to quiet down, and for everyone who has ever felt small, unimportant or unworthy.

Alexandra Boiger’s vibrant artwork accompanies this inspiring text that shows readers of all ages that, no matter what obstacles come their way, they have the power to persist and succeed.

This book features: Marie Curie, Sor Juana Ines de la Cruz, Viola Desmond, Sissi Lima do Amor, Leymah Gbowee, Caroline Herschel, Wangari Maathai, Aisha Rateb, J.K. Rowling, Kate Sheppard, Yuan Yuan Tan, Mary Verghese and Malala Yousafzai.

Hidden figures: the true story of four Black women and the space race
Margot Lee Shetterly with Winifred Conkling; illustrated by Laura Freeman

QA27.5 .S548 2018

Explores the previously uncelebrated but pivotal contributions of NASA’s African American women mathematicians to America’s space program, describing how Jim Crow laws segregated them despite their groundbreaking successes. Includes biographies on Dorothy Jackson Vaughan (1910-2008), Mary Winston Jackson (1921-2005), Katherine Colman Goble Johnson (1918- ), Dr. Christine Mann Darden (1942- ).
Katherine, Dorothy, Mary, and Christine were all good at math. Really good. And it was their understanding of numbers that helped them do what seemed impossible. They were women, and they were African-American, and they lived during a time when being black and a woman limited what they could do. But Katherine, Dorothy, Mary, and Christine were hardworking and persistent and, most important, smart. And that’s why NASA hired them to do the math that would one day send the United States into space for the very first time. New York Times bestselling author Margot Lee Shetterly and illustrator Laura Freeman bring to life the inspiring story of the struggles of these four “hidden figures” and what they overcame to succeed. The math work they did would change not only their own lives, but the face of air and space travel forever. — From dust jacket.

Bad girls of fashion: style rebels from Cleopatra to Lady Gaga
Jennifer Croll; illustrated by Ada Buchholc

GT1720 .C76 2016

The title says it all: Bad Girls of Fashion explores the lives of ten famous women who have used clothing to make a statement, change perceptions, break rules, attract power, or express their individuality. Included are Cleopatra, Marie Antoinette, Coco Chanel, Marlene Dietrich, Madonna, and Lady Gaga. Sidebar subjects include: Elizabeth I, Marilyn Monroe, Rihanna, and Vivienne Westwood.

Photos illuminate the text, while edgy, vividly coloured illustrations depict the subjects with interpretive flair. Readers will learn not only about changing fashion styles through history, but about changing historical attitudes toward women, and the links between fashion and art, film, music, politics, and feminism. With an energetic, appealing writing style, Croll demonstrates how through the ages, women — often without other means of power — have used fashion as a tool, and how their influence continues to shape how women present themselves today.

 

Juvenile Literature: Biographies

Mary’s idea
Chris Raschka

ML3930.W545 R37 2023

“A picture book biography of Mary Lou Williams, an American jazz pianist and composer who wrote hundreds of compositions, recorded hundreds of songs, and wrote arrangements for Duke Ellington and Benny Goodman, and is an artist often overlooked in the canon of American music because of her gender and skin color”– Provided by publisher.

Jovita wore pants: the story of a Mexican freedom fighter
by Aida Salazar; art by Molly Mendoza

ML3930.W545 R37 2023

“Jovita didn’t want to cook and clean like her sisters, and she especially didn’t want to wear the skirts her abuela gave her. She wanted to race her brothers and climb the tallest mesquite trees in Rancho Palos Blancos, ride horses, and wear pants! When her father and brothers joined the Cristeros War to fight for the right to practice religion, she wanted to help. She wasn’t allowed to fight, but that didn’t stop her from observing how her father strategized and familiarizing herself with the terrain. When tragedy struck, she did the only thing that felt right to her–cut her hair, donned a pair of pants, and continued the fight, commanding a battalion who followed her without question. Jovita Wore Pants is the story of a trailblazing revolutionary who fought for her freedom, told by her great niece, bestselling author Aida Salazar, and illustrated by Molly Mendoza”– Provided by publisher

She kept dancing: the true story of a professional dancer with a limb difference
written by Sydney Mesher and Catherine Laudone; illustrated by Natelle Quek

GV1799.2 .M47 2023

“No two dances were the same. Each one was beautiful because it was different – just like how Sydney’s body was also beautiful because it was different. Sydney Mesher was born with ten toes and five fingers. But it was her toes that her mum noticed first. ‘I can tell she‘s going to be a dancer,’ she said. And it turned out Mum was right–after years of hard work, Sydney eventually danced her way onto the famous stage of Radio City Music Hall, becoming the first Rockette with a visible disability. This warm and inviting picture book…takes young readers along on Sydney’s journey–through the joyous ups as well as the crushing downs–and tells the story of how through it all, she kept dancing.”–Front cover flap.

Maya Lin
written by Grace Lin, interior illustrations by Gillian Flint

NA737.L48 L55 2022

“Presents a biography of Maya Lin, the creator of the Vietnam Veterans Memorial in Washington, D.C., shows how she overcame many obstacles to share her creations, which were always connected to surrounding landscapes and nature.

She has become an inspiration to many who are following in her footsteps and are following their creative dreams.”

The woman all spies fear: code breaker Elizebeth Smith Friedman and her hidden life
Amy Butler Greenfield

D639.C75 G74 2021

“Biography of Elizebeth Smith Friedman, an American woman who pioneered codebreaking in WWI and WWII but was only recently recognized for her extraordinary contributions to the field”– Provided by publisher.
Friedman had a rare talent for spotting patterns and solving puzzles, and these skills led her to become one of the top cryptanalysts in America during both World War I and World War II. In 1916 she had been hired by an eccentric millionaire to prove that Shakespeare’s plays had secret messages in them, and learned much about code breaking. Greenfield shows that Friedman and her husband, William, played a major role decoding messages during WWI and WWII, and also for the Coast Guard’s war against smugglers. — adapted from Amazon info

Harriet Tubman
Kit Jazynka; illustrated by Charlotte Ager

E444.T82 J39 2019

“Born into slavery in c.1820, Harriet Tubman would later run away and help scores of other African American slaves escape to freedom in the North using the ‘Underground Railroad.’

A nurse, scout, and advisor during the American Civil War, Harriet co-led the Combahee River Raid, in which 700 slaves were liberated. After the war, Harriet became involved in women’s suffrage, or the right to vote, and opened a retirement home for sick and elderly African Americans. …

Learn all about Harriet Tubman’s fascinating life, the hardships she endured, her visions, the people she helped and rescued, the battles she fought, and how this American icon of justice and strength continues to inspire so many people today.”–Amazon.com

Helen Keller
Libby Romero; illustrated by Charlotte Ager

HV1624.K4 R65 2019

In this kids’ biography, discover the inspiring story of Helen Keller, who overcame the odds by learning to understand and communicate with the world.

Helen Keller lost her sight and hearing due to an early childhood illness and spent the first six years of her life unable to interact with other people. She remained isolated from the outside world until Anne Sullivan came to work as her teacher.

In this biography for kids ages 8-12, learn all about Helen Keller’s amazing life and achievements–how she learned to read Braille and speak, go to college, write books, and ultimately revolutionize the world through her activism on behalf of the deaf and blind.

Katherine Johnson
Ebony Joy Wilkins; illustrated by Charlotte Ager

QA29.J64 W55 2019

In this kids’ biography, discover the inspiring story of Katherine Johnson, famed NASA mathematician and one of the subjects of the best-selling book and movie Hidden Figures.

It was an incredible accomplishment when the United States first put a person on the moon–but without the incredible behind-the-scenes work of NASA mathematician Katherine Johnson, such a feat could not have been possible.

In this biography for kids ages 8-12, follow Katherine’s remarkable journey from growing up in West Virginia, to becoming a teacher, to breaking barriers at NASA and receiving the Presidential Medal of Freedom in 2015.

Juvenile Literature

Dreaming in code: Ada Byron Lovelace, computer pioneer
Emily Arnold McCully

QA29.L72 M33 2019

“Even by 1800s standards, Ada Byron Lovelace had an unusual upbringing. Her narcissistic mother worked hard at cultivating her own role as martyred ex-wife of bad-boy poet Lord Byron and had Ada tutored at home by some of the brightest minds. Ada developed a hunger for mental puzzles, mathematical conundrums, and scientific discovery that kept pace with the breathtaking advances of the industrial and social revolutions taking place in Europe. At seventeen, Ada met inventor Charles Babbage. In spite of the difference of their years, they were kindred spirits and intellects. Their ensuing collaborations would ultimately result in ideas that presaged computer programming by a century. Ada Lovelace is today recognized and celebrated as a pioneer and a prophet of the information age.”–Page 2 of cover.

Dreamers
Yuyi Morales

PS3613.O68 Z46 2018

“An illustrated picture book autobiography in which award-winning author Yuyi Morales tells her own immigration story”–Provided by publisher.

“What if you dreamed of a new life, and it came to you?

What if that new life led you to a new country, where no one spoke your language, where you felt alone and ignored?

What if you had to make that new place your home?

What if you found that home in a world of books?  And what if it all were true?”–Jacket.

The girl who drew butterflies: how Maria Merian’s art changed science
Joyce Sidman

QL31.M53 S53 2018

Bugs, of all kinds, were considered to be “born of mud” and to be “beasts of the devil.” Why would anyone, let alone a girl, want to study and observe them?

One of the first naturalists to observe live insects directly, Maria Sibylla Merian was also one of the first to document the metamorphosis of the butterfly.

In this visual nonfiction biography, richly illustrated throughout with full-color original paintings by Merian herself, the Newbery Honor-winning author Joyce Sidman paints her own picture of one of the first female entomologists and a woman who flouted convention in the pursuit of knowledge and her passion for insects.

Mary who wrote Frankenstein
Linda Bailey; illustrated by Júlia Sardà

PZ4.9.B2196 Mr 2018

How does a story begin? Sometimes it begins with a dream, and a dreamer. Mary is one such dreamer, a little girl who learns to read by tracing the letters on the tombstone of her famous feminist mother, Mary Wollstonecraft, and whose only escape from her strict father and overbearing stepmother is through the stories she reads and imagines. Unhappy at home, she seeks independence, and at the age of sixteen runs away with poet Percy Bysshe Shelley, another dreamer. Two years later, they travel to Switzerland where they meet a famous poet, Lord Byron. On a stormy summer evening, with five young people gathered around a fire, Byron suggests a contest to see who can create the best ghost story. Mary has a waking dream about a monster come to life. A year and a half later, Mary Shelley’s terrifying tale, Frankenstein: or, the Modern Prometheus, is published — a novel that goes on to become the most enduring monster story ever and one of the most popular legends of all time. A riveting and atmospheric picture book about the young woman who wrote one of the greatest horror novels ever written and one of the first works of science fiction, Mary Who Wrote Frankenstein is an exploration of the process of artistic inspiration that will galvanize readers and writers of all ages.

Le crayon magique de Malala
Malala Yousafzai, Prix Nobel de la paix ; illustrépar Kerascoët ;
adaptation française, Sophie Koechlin

LC2330 .Y682514 2017 French Collection

Au coeur du Pakistan, une toute jeune fille prénomée Malala rêve d’avoir un crayon magique qu’elle utiliserait pour… fermer la porte de sa chambre à clef et éviter que ses frères ne viennent l’embêter, arrêter le temps pour dormir une heure de plus tous les matins, effacer l’odeur des poubelles devant chez elle… Mais plus elle grandit, plus ses rêves évoluent. Car c’est avec un vrai stylo qu’on peut changer le monde : en apprenant à tous à lire et à écrire.”J’ai compris ce jour que si j’avais un crayon magique, je m’en servirais pour dessiner un nouveau monde, un monde de paix, sans guerre, pauvreté ou famine. Un monde où les garçons et les filles seraient égaux.”Plutôt que rêver seule dans sa chambre, Malala raconte son histoire et devient porte-parole et militante du droit des femmes (source : site de l’éditeur)

Voici Viola Desmond
Elizabeth MacLeod;
illustrations de Mike Deas; texte français de Louise Binette

FC2346.26 .D48 M3414 2018 French Collection

“Biographie de Viola Irene Desmond, femme d’affaires canadienne noire de la Nouvelle-Écosse qui a contesté la ségrégation raciale dans une salle de cinéma à New Glasgow, en Nouvelle-Écosse, en 1946.” —

“Biography of Viola Irene Desmond, Canadian Black Nova Scotian businesswoman who challenged racial segregation at a movie theatre in New Glasgow, Nova Scotia, in 1946.” —

The world is not a rectangle: a portrait of architect Zaha Hadid
Jeanette Winter

NA1469.H33 W56 2017

Get to know Zaha Hadid in this nonfiction picture book about the famed architect’s life and her triumph over adversity from celebrated author-illustrator Jeanette Winter.

Zaha Hadid grew up in Baghdad, Iraq, and dreamed of designing her own cities.

After studying architecture in London, she opened her own studio and started designing buildings. But as a Muslim woman, Hadid faced many obstacles.

Determined to succeed, she worked hard for many years, and achieved her goals—and now you can see the buildings Hadid has designed all over the world.

The youngest marcher: the story of Audrey Faye Hendricks, a young civil rights activist
Cynthia Levinson; illustrated by Vanessa Brantley Newton

F334.B653 H465 2017

Meet the youngest known child to be arrested for a civil rights protest in Birmingham, Alabama, 1963, in this picture book that proves you’re never too little to make a difference. Nine-year-old Audrey Faye Hendricks intended to go places and do things like anybody else. So when she heard grown-ups talk about wiping out Birmingham’s segregation laws, she spoke up. As she listened to the preacher’s words, smooth as glass, she sat up tall. And when she heard the plan — picket those white stores! March to protest those unfair laws! Fill the jails! — she stepped right up and said, I’ll do it! She was going to j-a-a-il!

The girl who thought in pictures: the story of Dr. Temple Grandin
Julia Finley Mosca; illustrated by Daniel Rieley

SF33.G67 M67 2017

If you’ve ever felt different, if you’ve ever been low, if you don’t quite fit in, there’s a name you should know… Meet Dr. Temple Grandin–one of the world’s quirkiest science heroes! When young Temple was diagnosed with autism, no one expected her to talk, let alone become one of the most powerful voices in modern science. Yet, the determined visual thinker did just that. Her unique mind allowed her to connect with animals in a special way, helping her invent groundbreaking improvements for farms around the globe! The Girl Who Thought in Pictures: The Story of Dr. Temple Grandin is the first book in a brand new educational series about the inspirational lives of amazing scientists. In addition to the illustrated rhyming tale, you’ll find a complete biography, fun facts, a colourful timeline of events, and even a note from Temple herself!

Scholarly Communications and Copyright Office Impact Report 2020/2021

Recently the Scholarly Communications and Copyright Office released its 2020/2021 Impact and Activity Report, showcasing some of the year’s highlights and accomplishments.

For more information, or to share feedback please contact scholarly.communications@ubc.ca

Read the Report

We’re back!

The University of British Columbia Archives has now re-opened, with limited public hours: 10am-2pm, Monday-Friday. Scheduled class visits can be accommodated outside of public reading room hours.

When visiting, please be aware of UBC’s COVID-19 Campus Rules, including the mandatory wearing of non-medical masks in all indoor public areas.

Please note that the Library’s Automated Storage and Retrieval System (ASRS) is currently experiencing service delays due to a mechanical issue – as a result, many of our collections are unavailable. Please contact us to find out what resources and services are accessible before visiting. Our apologies for any inconvenience.

Myth-busting the “Cows On Campus” Photograph

[This is an expanded version of an article originally published in Alumni UBC’s Grad Gazette in 2010]

One of the enduring legends from the history of the University of British Columbia is that the Faculty of Agriculture’s dairy herd was once allowed to graze along Main Mall.  But did this really happen?

"Cows on campus" composite photo

UBC Archives photo 1.1/1004 (click for full size)

It is true that, during the Great Depression of the 1930s, the University’s budget for building and grounds maintenance was reduced so much that the lawn in front of the Library (now the site of the Irving K. Barber Learning Centre) was left uncut for months at a time, turning it into a “luxuriant hay field”.  It is also true that one of UBC’s most distinguished alumni and faculty, Dr. Malcolm McGregor, once wrote: “In the 1930s, when we could not afford to cut the grass, cows grazed in the area between Arts and the Library”. Finally, there appears to be photographic proof – an image supposedly dating from 1937, and later reproduced in a popular poster (right).

However, a close look at the image will show that it is actually a composite of two separate images (below).

Cows grazing in field (original)

UBC Archives photo 1.1/1619-1 (click for full size)

Both original images date from 1937, and are part of the Leonard Frank collection.  The composite dates from some time after that.

The fakery was discovered by former University Archivist Laurenda Daniells and her staff in 1974, when they began cataloguing the historical photograph collections.  “We found the two photos separately and because of the odd way one cow was standing it dawned on us that the cows on the library lawn photo was a fake”, she wrote later.

Fake or not, the picture was so compelling that it was printed on the cover of the 1979/80 Librarian’s Report to the Senate, with an explanatory caption: “In the thirties the University kept its books in the Library at one end of the Mall and its cows in barns at the other.  A bucolic vista such as this was a possibility, but this photograph was faked by a person whose name and motive are unknown.”

So much for the photographic “proof”.

View of Main Mall and Library (original)

UBC Archives photo 1.1/1034 (click for full size)

One would expect the story, if it’s true, to be mentioned in For All Thy Kith ‘n Kine, an account of the early history of the UBC Dairy Farm.  Written and published as a tribute to the first manager of the farm, Scottish immigrant John Young, and his family, it goes into detail about the farm’s operations during the Depression.  However, no mention is made about Mr. Young ever allowing his prized Ayrshire cows to graze on the lawn in front of the Library.

There is also no record of such an event in the pages of The Ubyssey.  One would think that the sight of cows grazing on Main Mall would have caught the attention of the often irreverent student newspaper.  Neither was it mentioned in other contemporary campus publications such as the Alumni Chronicle and the Totem yearbook, or in Harry Logan’s otherwise exhaustive history of the University, Tuum Est – published in 1958, when the incident would have still been in living memory.

As for Dr. McGregor’s account, he graduated from UBC in 1931, and he did not return to campus until 1954, when he joined the Department of Classical Studies.  He was almost certainly not present when the cows supposedly grazed in the heart of the campus – although other alumni and staff have told similar tales.  So if his story can’t be confirmed, who created the composite image, and why?

Photo from 1939 Totem, p. 21 (click for entire page)

The forger’s identity remains unknown, but a clue as to a possible motive can be found in the 1939 edition of the Totem.  Page 21 shows a picture of two cows grazing in a field, with the old Science building (now the centre block of Chemistry) in the background (right).

Campus maps from that period (such as this one) confirm that the area south of University Boulevard was largely reserved for activities of the Faculty of Agriculture – including raising dairy cattle.  Cows did graze in open pastures there, and may have occasionally wandered north towards the centre of campus – attracted by the scent of luxuriant hay fields, no doubt.  So Dr. McGregor’s story, whether based on his own experiences or those of others, does contain a kernel of truth.

There is no obvious fakery in the Totem photograph, and there are no corresponding images among the UBC Archives’ historical photographs that could have been used to create it as a composite, so it is almost certainly genuine.  It is likely that this picture, together with memories or second-hand stories of cows wandering beyond their designated pastures – plus the desire to embellish a good story – served as the inspiration behind the now-iconic “cows on campus” composite photograph.

Sources:

New to the website

Recent additions and enhancements to the University Archives’ website include:

UBC Library – 2020/2021 Open Education Impact & Activity Report

UBC Library Open Education Impact & Activity Report – 2020/2021


The UBC Library Open Education Impact & Activity Report 2020-2021 is live on the Open UBC website. The report showcases some of the accomplishments for open education on both the Vancouver and Okanagan campuses.

For more information, or to share feedback please contact scholarly.communications@ubc.ca

Read the Report

Funding Opportunity for Research on Scholarly Communications



With funding from the Social Sciences and Humanities Research Council of Canada’s Pan-Canadian Knowledge Access Initiative, Coalition Publica is launching a scholarship program for undergraduate and graduate students.

Read the full announcement on the Coalition Publica website, or continue below for more details.

The scholarship program supports research projects that:

  1. study the scholarly communication and research dissemination system, or

  2. apply digital humanities methods to the corpora* made available by Coalition Publica.

Scholarships available

  • PhD ($20 000)

  • Master’s Thesis ($10 000)

  • Bachelors: to develop term papers into research articles ($500)

Scholarships are awarded annually for one year of study (graduate) or for one research article (undergraduate).

Eligibility and selection criteria

All students registered at a Canadian university are eligible. Applications may be submitted in English or French. Applications will be evaluated on the basis of the relevance of their research objectives and their originality. Scholarships will be granted in accordance with the principles of equity, diversity and inclusion. Students from traditionally underrepresented groups are encouraged to submit a proposal.

How to apply

Masters and PhD 

  • Research project description and state of progress (1 to 4 pages)

  • Curriculum vitae (any format)

  • Letter of support (1 page)

Undergraduate 

  • Research project description and state of progress (1 to 2 pages)

  • Curriculum vitae (any format)

  • Letter of support (1 page)

For the above, applicants are encouraged to follow SSHRC’s scholarship application guidelines.

Deadlines

  • May 15, 2021: application deadline

  • June 15, 2021: announcement of results

Send applications to: vincent.lariviere@umontreal.ca

Point Grey’s original student hang-out – The Dolphins

[This is an expanded version of an article originally published in Alumni UBC’s Grad Gazette in 2010]

Before The Pit, the Gallery Lounge, Koerner’s Pub, or any of the other popular student retreats on or around the UBC campus… there was The Dolphin.

The Dolphin Tea House was located on Marine Drive, across from what is now Totem Park at the foot of Agronomy Road. It began as a road-side stop first listed in Henderson’s Directory in 1929 as the Marine Pergola Tea Room and Service Station. Former UBC Department of Economics faculty member Anthony Scott described its origins in detail:

The [Vancouver] parks board cut off a big curve of Marine Drive. An entrepreneur set up tables along the fence, and people going for a drive along Marine Drive could have afternoon tea there. A pergola was built over much of the former road (a vine-covered trellis-work, making it a little like a flowery tunnel). The view seaward was great.
They built a central kitchen/building of some kind, so that the “pergola” ran north and south from it.

Advertisement for the Marine Pergola, featuring "DINE and DANCE"

Advertisement for the Marine Pergola (The Ubyssey, 18 November 1932)

Almost from the beginning, the management aimed to attract clientele from the University community – as the advertisement to the right demonstrates. It appears that by 1932 the “central kitchen” described by Dr. Scott had been expanded to allow indoor dining and dancing.

According to Henderson’s Directory, in 1936 the Marine Pergola was re-named Jubilee Park, presumably for either the City of Vancouver’s golden jubilee that year, or the silver jubilee of King George V the year before. By then the establishment was developing quite the high profile. An article in The Ubyssey of 25 September 1936 quoted proprietor Walter Banner regarding a visit by a leading Hollywood actor: “So delighted was Warner Baxter [‘The Cisco Kid’] and his family with the loveliness of the surroundings when here this summer that they spent an entire afternoon in the park”. An advertisement a few pages further along read:

The prettiest and most unique pleasure park around Vancouver . . . charming tea room . . . a floor large enough to really dance on . . . tea tables outside under grape arbors . . . good home-cooked food that is unsurpassed.
MAKE THE JUBILEE PARK YOUR PARTY HEADQUARTERS IN 1936-37

Several weeks later, the column “Random Ramblings” testified to Jubilee Park’s increasing popularity among students, in a style reminiscent of P.G. Wodehouse:

Today’s offering is born out of a mellow, not very fertile mood, the product of a combination of October sunlight, Strauss waltzes and a cut of freshly baked apple pie under the golden grape-vines of Jubilee Park. Fortified with the pie, and the thought of doing nothing but watch the sunny stretches of the Gulf for a whole hour, one can regard the thorny patches of the primrose path with something approaching kindliness and detachment. (The Ubyssey, 13 October 1936)

The grape-vines growing in the arbour around the patio – supposedly 100 yards long – gave the establishment its nickname, “The Vinery”. Its popularity was already such that rumours later that fall of its impending closure supposedly caused “great sorrow on the campus” – “students are hanging their heads in sadness…. Truly, all should weep”, wrote another Ubyssey columnist in November.

Jubilee Park a.k.a. the Vinery didn’t close, but over the 1937 summer break there was a change of ownership. The Directory listed Mr. and Mrs. Robert Harwood and Miss H.D. Darling as the new operators. There was also a name-change, announced in “Random Ramblings”:

In case you’re finding the Caf pandemonium a little too much for the old high blood pressure, we suggest you drop down to the Vinery – pardon, the Dolphin Tea House – one of these days for lunch…. Under new management, the place has gone right wing. Lawns are cut, the dance floor is gone, and the once Spartan interior is full of antiques, old prints, bric-a-brac and good breeding. We counted five natty waitresses rushing politely about…. (The Ubyssey, 24 September 1937)

Two people in silhouette looking out from the trellised patio at the Dolphin

Looking out from the patio at The Dolphin (from The Totem, 1939, p. 38)

According to UBC alumnus and theatre instructor Norman Young, the name was inspired by an antique dolphin figurine that the Harwoods brought back from a trip to Europe. When they bought the Tea House, the dolphin was installed on the front door as a door-knocker.

For the next two years the Dolphin was featured regularly in the social pages of UBC’s student newspaper. Business was good enough to warrant building a second floor and expanding the kitchen and dining room. The Tea House was touted as the ideal place for students to relax with tea or coffee, meet a professor after classes, or host private dance parties. It became a favourite venue for everything from bridge parties to society dinners. The quality of the Dolphin’s menu was enough to rate an entry in Duncan Hines’ Adventures in Good Eating – the only restaurant in Vancouver to be included in the guide’s 1937 edition. According to “Shopping with MaryAnn”,

The Dolphin Tea House is like the prize at the end of the rainbow . . . a nice cosy haven at the end of a brisk walk through the autumn leaves along the windy road . . . for at the sign of the Dolphin one can get the most delicious Vienna coffee . . . in a tall glass and topped with a spot of whipped cream . . . and when the fog is clutching at your tonsils with undulating fingers . . . then is the time for consomme with sherry soup, chicken a la king and your favorite dessert…. (The Ubyssey, 20 October 1939)

After 1939 the Dolphin never enjoyed such a high profile in the student newspaper’s pages. The Second World War curtailed both clientele and business hours, and it shut its doors around 1942, reverting to a private residence. However, Norman Young remembers that the Harwoods still rented out the dining room for private functions – the UBC Players’ Club, for example, held most of its social events there.

Postcard showing the Dolphin Tea House

The Dolphin Tea House (postcard, n.d.)

In 1947 the Tea House reappeared in the Directory under a slightly-different name, The Dolphins – Mrs. E.A. Shirlaw was listed as the manager. The following year W.O. Ivey was listed as the proprietor, and management continued to change every few years afterward as the Tea House struggled to re-capture its pre-war popularity.

Through the late 1940s and 1950s The Dolphins also became the focus of occasional efforts to bring a pub or similar liquor-serving establishment to UBC. The first such attempt came in 1948 when the campus branch of the Royal Canadian Legion proposed turning it into a “wet canteen” for its members. Their plan never went forward, due to a lack of funds and the difficulty in obtaining a liquor license.

The gradual loosening of provincial liquor laws during this period would occasionally inspire editorials in The Ubyssey in favour of turning The Dolphins into an English-style country pub:

The westering sun shining through one’s glass, the crackle of the fire reassuring to one’s ears, the quiet and delightful conversation of, what is so unusual in a Vancouver drinking establishment, a human who does not have to shout in one’s ear to make himself heard…. Quiet feet on the rug, walking through the shaft of sunlight that pours through the leaded windows, a waiter appearing discreetly at your elbow. “Your pleasure, sir?” “Four here, please, and another four for those interesting young ladies in the corner seat.” (The Ubyssey, 16 October 1957)

One main obstacle to such proposals was the opposition of the UBC Senate to liquor sales on or near the campus.  Another issue was The Dolphins’ physical location, west of Marine Drive – not actually on the campus, but in Marine Drive Foreshore Park, which was property of the Vancouver Park Board and so not eligible for a liquor license.

The Dolphins continued to operate through the 1950s, serving as a social gathering place for students and faculty and hosting events such as a luncheon during the 1956 B.C. Academy of Science conference. However, it faced increasing competition from new, more conveniently-located eating and social establishments such as the Faculty Club and the Bus Stop Café.

The last reference to the Tea House in The Ubyssey was in March 1960: a simple classified ad, looking for information regarding a road accident nearby. By this time, according to Henderson’s Directory Mr. and Mrs. S.E.B. Avefjall were the managers, under contract to the Park Board. The following year the property was taken over by UBC, and the building was demolished to make room for the First Nations wood-carving activities at Totem Park. Today, all that remains of The Dolphin(s) Tea House is its parking lot, located just south of Wreck Beach Trail 6 and administered as part of Pacific Spirit Regional Park.

Sources:

Working as an Indigenous Work Learn Student at the UBC Archives

[The following was written by Kai Geddes, currently working for the UBC Archives in the Work Learn student employee programme]

While continuing my academic career at the University of British Columbia (UBC) as a Masters in Library and Information Studies (MLIS) graduate student in September of 2019, from Vancouver Island University (VIU), I had the opportunity to attain a Work Learn position as a digitization student assistant at the UBC Archives.

Having worked as a Work Learn student at the Indigenously rich campus of VIU as a Services for Aboriginal Students Cultural Events Coordinator at the Gathering Place (Shq’apthut), and an Archival Student Assistant (the first at VIU, where I worked on the very extensive Milner Garden fonds), I was eager to start working on UBC campus.  I was not sure which position I would get hired for after I sent in a few employment applications in the middle of August of 2019. Thankfully, I received an email from UBC Archives asking me to come in for an interview in early September for the Digitization Student Assistant position. During my interview I was able to gloss over my Indigenous heritage and my work experience at VIU. Later that day, I received an email that I got hired.

As a Digitization Student Assistant, my hours were spent retrieving photographs and negatives from the UBC Archives vault, scanning them, and then by using Adobe, touching them up with the program’s digitization tools.  The most difficult to touch-up are white spots which appear because of the degradation of film negatives; there are also large wrinkles called “channels,” and discolouration due to the age of the cellulose film that was used.  All of these are problematic, but there are ways to improve the quality of the images through digitization. I also assisted with community order requests, such as photographs for magazines or television shows, digitizing cassette tapes for educational institutions, and photographs such as sports teams and those from yearbooks or magazines.

When COVID-19 led to the closure of most of its facilities and services on campus in Mid-March of 2020, including the Irving K. Barber Library where the UBC Archives is located, my duties as a Digitization Student Assistant changed along with it. However, despite this, I had a very fortunate opportunity presented to me: to look over the UBC Archives’ website and recommend, if any, changes that could be made from an Indigenous perspective. Through the lens of an Indigenous student who has taken several classes on the subject, I was in a unique position to see what might be regarded as problematic for Indigenous Peoples.

One such example is the term First Nations, which has become somewhat outdated due to the United Nations Declaration on the Rights of Indigenous Peoples (UNDRIP) which today recommends using Indigenous instead of terms like Indian, Aboriginal, or First Nations. However, of course, there are some exceptions to this recommendation such as Native American for those residing in the United States, and Aborigines for people who first occupied Australia and New Zealand. A rough draft of my findings was sent to the UBC Archivist for feedback and a final report will be sent in October 2020.

After taking classes and working from home over the summer, I was happy to return the UBC Archives and work with archival materials—this time as an Archival Processing Student Assistant. While I have had experience working with fonds, as mentioned above, I have not worked alone on receiving an accrued acquisition from its very beginning. Of course, I did have supervision from the University’s Archivist for my work on this accrual to the Allon Peebles fonds. The process began with sorting the materials into the previous eight categories of the existing fonds (which I extended to nine), which were provided from the work done by previous Work Learn students. After that was done, I added the materials to the finding aid which later needed to be updated with new descriptions, notes, and the number of materials added to the fonds.

At the end of August of 2021, I will be receiving my MLIS graduate degree with a First Nations Curriculum Concentration which in part is due to my Indigenous work at the UBC Archives over the summer of 2020.  My experience working at the UBC Archives has been a very positive one; unfortunately, I have heard from counselors that this is not the case for most Indigenous students in the Work Learn program. I do not know the details of exactly why their experiences have been troublesome, but I can see how fitting into a predominantly colonial educational institution may be uncomfortable for some.

Moving forward, after graduation I hope to continue my studies at UBC in the iSchool’s PhD program in September of 2021. My focus will be on Indigenous issues such as identity and what it means in Canada for those who are bi-racial (those who have one parent who is Indigenous and the other parent who is from a colonial background) – who are “living on the hyphen” (balancing both identities and not considering one to be more dominant than the other).

Kleco! Kleco! [Thank you!]

The early Chinese-Canadian presence at UBC

One of the projects undertaken by our colleagues at UBC Rare Books and Special Collections during the COVID-19 shut-down of on-campus operations  has been to develop a new on-line guide to Chinese-Canadian materials in their collections.  One of the subjects being researched for this project was the identity of the first Chinese-Canadian graduate of UBC.

Racist attitudes towards Chinese immigrants were prevalent in Canada, especially in British Columbia, early in the 20th Century, as were discriminatory government policies.  The federal government’s head tax, charged to each Chinese person entering Canada, continued to be levied until 1923.  That year the Chinese Immigration Act abolished the tax while banning almost all immigration from China.  Nevertheless, members of the immigrant community continued to successfully improve their economic and social status despite the systemic racism they encountered in both public policy and in society at large.  As Chinese students were exempt from the immigration ban, one possible way for them to do so was to pursue higher education.

While there were no official barriers at UBC and Chinese students were presumably welcomed by the administration like any other students, the University was still part of British Columbia society and so still reflected that society’s attitudes.  White students, even if they otherwise did their best to treat a Chinese classmate as one of their own, would sometimes reveal the racist attitudes that they grew up with.  For example, terms like “Celestial” (a slang term for anybody of Chinese descent, China being nicknamed “The Celestial Kingdom”) or “Chinaman”, or worse, occasionally found their way onto the printed pages of the Annual (a.k.a. the Totem) yearbook and the Ubyssey student newspaper.

Graduation photo of Thomas Moore Whaun, Arts '27, from the 1927 Totem yearbook.The initial draft of the new RBSC on-line guide stated that Thomas Moore Whaun (left) was the first Chinese-Canadian graduate of UBC.  Born as Tung Mow Wong in China in 1893, he immigrated to Canada in 1907 – anglicizing his name in the process.  According to back issues of the UBC Calendar Whaun entered UBC in 1921.  He took two years off from his studies to work for the Canada Morning News newspaper, and eventually graduated as a member of the Arts 1927 class.  According the Totem for that year:

An ardent student of Economics and History, and an extensive reader, he loves to get to the bottom of all social problems. Thoroughly versed in Chinese affairs, Moore may often be found explaining the situation in the Far East to a group of interested students.

After reviewing the guide, UBC Chinese Language Librarian Jing Liu noted that several members of the Yip family had attended UBC earlier than 1921, and that there might have been other Chinese-Canadian students during that period.  RBSC Archivist Krisztina Laszlo then reached out to the University Archives for more information.

Searching digitized issues of both the Calendar and the yearbook did indeed reveal more information.  While the yearbooks listed the members of each graduating class, with accompanying biographical sketches and graduation photographs, in those days the Calendar listed all students registered each year, making it relatively easy to track students’ progress.  This is a case where referring to published (secondary) sources is as effective, and far easier, than going through original (primary) sources, such as old student records from the Registrar’s Office, which were not available for review anyway due to pandemic restrictions.

Photo of Quene Yip as member of 1925-26 UBC first soccer team, from 1926 Totem yearbookA search of the Calendar showed that several members of the Yip family did indeed attend UBC in those early days.  Kew Park Yip registered in the Faculty of Agriculture in 1918, then transferred to Arts in 1919.  Kew Ghim Yip registered in Arts in 1920.  Later that decade, Quene Kew Yip (right) and Kew Dock Yip entered Arts in 1925 and 1926, respectively.  Quene Yip joined the varsity soccer team and track team as a freshman, and had an immediate impact:

Quene Yip, the Chinese star, needs no introduction to Vancouver soccer lovers, but there may be some students who have not been privileged to see him perform yet. He is rated as one of the best centers on the Pacific Coast, and he well deserves that reputation. He is tricky, clean and fast. (Totem, 1926)

Other Chinese-Canadian students from that period include John Shih Chu, who joined Kew Park Yip in Agriculture in 1918; Thomas Chu, who registered in the Faculty of Arts in 1919; Violet Wong and Sow Poon Wong, both of whom entered Arts in 1922; and Shu-Yen Chen and Jung Bow Wing, listed in the Calendar as being from China, and who both entered Arts in 1916.  However, none of these individuals are listed as graduates from UBC, either in the Calendar or the yearbook.  We assume that they either did not continue their studies, or transferred to other colleges or universities – Quene Yip, for example, transferred to Queen’s University.  Whether this was due to racist attitudes that they encountered on campus, or other unrelated reasons, is unknown.

Going even further back in time, McGill University College of British Columbia, UBC’s immediate post-secondary predecessor, also attracted some Chinese-Canadians to register as students.  May Susan Ling Yipsang was registered as a first-year at McGill BC in 1914, but did not continue her studies.

Bertha Hosang registered in the Arts programme in 1910, and continued at McGill BC for two years.  She made enough of an impression for the 1911 Annual to use a quote from the classic Japanese story Genji Monogatara or The Tale of Genji to describe her as “So young and bright” (that it was incongruous, if not bizarre, to quote a Japanese work to describe a Chinese student, as if the two “Oriental” nationalities were interchangeable, didn’t seem to occur to the editors).  The 1913 Annual tells readers that Bertha went on to the Vancouver Business Institute, “where she was awarded a special prize for her accurate work”.

Photo of George Y.K. Shuen from 1913 McGill BC AnnualFinally, flipping the pages of UBC (pre)history back to 1909, the McGill BC Calendar notes that George Y.K. Shuen (right) registered in Arts that year; dropping out after one term, he returned and entered the Applied Science programme in 1911.  A recent immigrant from China, George Shuen’s residence is given as Vancouver in the McGill UBC Calendar, while in the 1913 Annual he’s described as having been “born somewhere in China or thereabouts”.  The patronizing tone of that editorial remark is exacerbated by later referring to him as a “Celestial”.

As McGill BC was only a two-year college, students would have had to go elsewhere to complete their degrees – we must assume that George Shuen did so.  However, it is safe to say that he was the first Chinese-Canadian to attend what would later become UBC.

Graduation photo of Esther Fong Dickman (Arts '26) from the 1926 Totem yearbookBut what about those Chinese-Canadian students who actually graduated from UBC?  The year before Thomas Whaun received his degree, Esther Evangeline Fong Dickman (left) was a member of Arts 1926.  Her bio in the Totem read, in part, “Mathematician, platonist, and erstwhile philosopher, Esther is the class enigma.  She divides the principal part of her time between the Students’ International Club, the Math. Club, the S.C.M., Phil. essays (of all things), Economics, and a few other cheerful divertissements. Favorite occupation, starting for the library. Esther plans to follow the teaching profession…”.  According to Lisa Smedman’s Immigrants: Stories of Vancouver’s people, She was the daughter of Reverend Fong Dickman (born Fong Tak Man), a Methodist minister and prominent member of the Vancouver Island Chinese community.  Esther Fong Dickman was the first Chinese-Canadian woman to graduate from UBC.

Graduation photo of Inglis Hosang (Arts '19) from the 1919 UBC Annual yearbookGoing back further, to 1919, the Annual lists Inglis Hosang (right), the brother of Bertha Hosang, as a graduate from the Faculty of Arts that year.  He was noted as being “… of no small scholarly attainments, and is an accomplished linguist. He won the oratorical contest (in his Sophomore year), and, as a Junior, helped to defeat Washington in the international debate”.  He returned to campus the following year to give a public lecture on “China and the Shantung Problem”.  According to the October 1945 Graduate Chronicle he went on to earn a law degree from the University of California, Berkeley (1931), after which he moved to England, was called to the English Bar in 1934, and became a barrister-at-law.  Hosang later lived in Hong Kong until the Japanese invasion of 1937 – he then moved back to Vancouver where he joined the law firm of A.J.B. Mellish.  He died in August 1945.

Neither the Annual nor the Calendar list any Chinese-Canadians by name as UBC graduates prior to 1919.  So the Archives can confirm that Inglis Hosang (Arts 1919) was the first Chinese-Canadian to graduate from this university.  He, George Y.K. Shuen, Esther Fong Dickman, and others from the McGill BC and early UBC days deserve recognition for their achievements against the prevailing attitudes of their era.  Other current and past Chinese-Canadian UBC students – indeed, all members of the UBC community – owe them a debt of gratitude for contributing to the evolution of a more diverse and welcoming institution.

(Updated 6 November 2020)

(Thanks to Krisztina Laszlo and Jing Liu for their helpful comments on an early draft of this article)