What’s That Number? A Thirty-Minute Dive into Deciphering a Traditional Chinese Numeral System

Many thanks to guest blogger Lily Liu for contributing the below post! Lily is a graduate student at the UBC School of Information and recently completed a Professional Experience with Rare Books and Special Collections Library.


During my time working with the Lock Tin Lee fonds at the RBSC, I came upon a certificate that used a number I had never seen.

Image 1: close-up of a number I did not recognize

From my RBSC peers, I learned that this number belonged to a system called Suzhou numerals (苏州码子; 蘇州碼子). As per their namesake, these numerals originated from the Suzhou region in China and were a traditional numeral system used by the Chinese before the introduction of Indo-Arabic numerals. Due to its ease of use, the Suzhou numeral system was popular amongst merchants, bookkeepers, and other calculation-centric occupations. It is the only surviving variant of the rod numeral system still in use today and can be found in the markets, old-style tea restaurants, and traditional Chinese medicine shops in Hong Kong and Macau.

But what was the number on the certificate specifically? It did not correspond immediately to any numbers on the comparison chart for Suzhou numerals.

Image 2: comparison chart for Suzhou numerals

Deciphering the number became a collaborative effort between my curious roommate, myself, and the comparison chart. Our thought process proceeded as follows:

Option 1: 42?

〤 and 〢 are accounted for, but there are two additional horizontal strokes to the right that do not correspond to any number immediately on the chart, and the strokes look too intentional to be a mistake.

Option 2: 417?

Perhaps the writer just really elongated the short vertical stroke on top of the Suzhou numeral “7” (〧), and just really missed the stroke’s centre positioning and shifted it to the left? Yes…we were pushing it.

Image 3: a visual explanation supplied by my roommate

Option 3: 422!

My roommate spotted the smaller text that noted exceptions to the standard comparison chart.

Image 4: Wikipedia excerpt explaining exceptions to the numbers’ forms

Essentially, because numbers 1, 2, and 3 all use vertical strokes in the Suzhou numeral system, adjustments to these numbers’ standard forms are made whenever they appear consecutively to avoid confusion. In our case, when two “twos” appear consecutively, their form changes to “〢二”: the certificate’s number is 422.

Between reading up on the system and our back and forth quibbles we took a total of thirty minutes to arrive at the answer—but what a satisfying conclusion it was!

Please note: The overview above is paraphrased from Wikipedia pages on Suzhou numerals, which are below. A link about counting rods (算筹; 算籌), the ancient form of mathematical calculation in East Asia, is also below.

https://en.wikipedia.org/wiki/Suzhou_numerals

https://zh.wikipedia.org/wiki/%E8%8B%8F%E5%B7%9E%E7%A0%81%E5%AD%90

https://en.wikipedia.org/wiki/Counting_rods

Exploring Japanese Travel Narratives in Tokugawa Era

This week’s blog post explores the fascinating world of Japanese travel during the Tokugawa period (1603 – 1868), both within Japan and beyond its borders. All materials shown in this blog post are from our Japanese Maps of the Tokugawa Era Collection which is available through Open Collection.

1. Seiyū ryotan (西遊旅譚) [A Diary of Travel from Edo to Nagasaki] – 1794

One notable work featured in this collection is the Seiyū ryotan, which was created by Shiba Kōkan (司馬 江漢, 1738?-1818), a prominent figure in Japanese art history. Shiba, a celebrated painter and printmaker during the Tokugawa period, was renowned for his Western-style Yōga (洋画) paintings, which drew inspiration from Dutch oil painting techniques and themes. Seiyū ryotan is a compilation of travel narratives accompanied by sketches of landscapes and people. Look at how Shiba captures people dancing in a circle and the beauty of Mount Fuji!

Illustrations of people dancing and singing in Seishū (勢州), which is another name for Ise Province (伊勢国)

Illustration of Mount Fuji

Illustrations of Osaka

2. Amerika shinwa (亜墨新話) [New Stories about America] – 1844

Another intriguing manuscript within this Collection is the Amerika shinwa, which offers a unique perspective into Japan’s encounter with the American continent during the mid-19th century. It is essentially a work of Hyōryūki, which is the Japanese term for narratives about being cast away as a result of a shipwreck. Amerika shinwa was compiled under the order of the Daimyo of Awa province. It narrates the tale of Hatsutarō’s voyage, which began in Japan in October 1841. It details his shipwreck in February 1842, subsequent rescue by a Spanish ship, arrival in Lower California and Mexico, and eventual journey back to Canton (Guangzhou or China).

Illustration of Macau, Guangdong

Illustration of a wedding ceremony

 

3. Kaigai shinwa (海外新話) [Story from Overseas] – 1849

Kaigai shinwa is a 5-volume text that demonstrates Japan’s understanding of western power and dominance, along with their insight into the first Opium War in China (1839-1842).

Illustration of an English Commander

 

The Sakoku “closed country” (鎖国) policy at the time effectively barred Japanese observers from being in China to witness the Opium War firsthand. Consequently, it greatly affected how Japanese learnt about the War and their understanding was significantly shaped by this isolation. For Kaigai shinwa, rather than a straightforward historical retelling, it is a narrative that blends historical events with elements added for storytelling impact to attract a broader audience. Some of these additions were likely introduced by the author, Mineta, Fūkō (1817-83) in order to enrich the narrative, while others may have been borrowed from other sources. In other words, Kaigai shinwa presents a mix of factual information alongside instances of misinformation and fabrication.

The book opens with a poem urging Japanese to view the Chinese defeat in the Opium War against Great Britain as a warning of potential future events in Japan.

Illustrations of English naval ships

While Kaigai Shinwa gained popularity among intellectuals at the time, it faced strong opposition from Shogunate officials. In fact, Kaigai shinwa was eventually banned by the Shogunate. Its author, Mineta, was subsequently imprisoned on charges of publishing the work without obtaining official consent and inspection.

 

We hope you enjoy this little dive into the rich and diverse narratives found within the Japanese Maps of the Tokugawa Era Collection. Each manuscript offers a unique glimpse into Japan’s historical encounters and perspectives on the broader world during the Tokugawa period.

Thank you for reading!

 

Works cited:

Escalona Echániz, J. M. (2022). An analysis of Amerika shinwa : manuscript circulation and epistemological background in early modern Japan. University of British Columbia. https://open.library.ubc.ca/collections/ubctheses/24/items/1.0418460.

Google Arts and Culture. (n.d.). Shiba Kōkan. https://artsandculture.google.com/entity/shiba-k%C5%8Dkan/m02747qd?hl=en.

Dower, J. W. (2010). The opium war in Japanese eyes : an illustrated 1849 “Story from Overseas” Essay by John W. Dower. MIT Visualizing Cultures. https://visualizingcultures.mit.edu/opium_wars_japan/kaigai_shinwa.pdf.

Wataru, M. (2000). Japan and China: Mutual Representations in the Modern Era (J.A. Fogel, Ed.; J.A. Fogel, Trans.; 1st ed.). Routledge. https://doi.org/10.4324/9781315027685.

Reduced Hours – Monday, May 13, 2024

Attention: Reduced Open Hours
Monday, May 13: 1 pm - 5 pm

We apologize for any inconvenience

Chung | Lind Gallery now open!

UBC Library is excited to announce the official opening of the Chung | Lind Gallery showcasing the Wallace B. Chung and Madeline H. Chung Collection and Phil Lind Klondike Gold Rush Collection. The new exhibition space in the Irving K. Barber Learning Centre on UBC’s Vancouver campus brings together two library collections of rare and culturally significant materials from Canada’s history.

Read more about the Chung | Lind Gallery:

 

We know that our patrons have missed being able to visit the Chung Collection Room as we have worked to prepare the new gallery. Thank you so much for your patience! We look forward to welcoming you to the new space and also introducing you to the Phil Lind Klondike Gold Rush Collection for the first time.

The Chung | Lind Gallery, on level 2 of the Irving K. Barber Learning Centre, is open Tuesday-Saturday, 10 am-5 pm. The gallery is free and open to the public, and people of all ages are encouraged to attend. Small group tours and class visits are available by appointment. For more information, please contact (604) 822-3053 or rare.books@ubc.ca.

New Books at the Law Library – 24/05/07

LAW LIBRARY reference room (level 2): KE4270 .B87 2023
Donald F. Bur, Law of the Constitution: The Distribution of Powers, 2nd ed. (Toronto: LexisNexis, 2023).

LAW LIBRARY level 3: KTX3344 .I23 2020
Paulin Ibanda Kabaka, Mémento du droit minier de la RD Congo: de la législation coloniale au code minier révisé de mars 2018 (Saint-Denis: Édilivre, 2020).

Lost access to Canada Commons and Policy Commons

Users are seeing a “Sorry, something went wrong trying to log you in.” error when trying to access Canada Commons or Policy Commons.

We are working to resolve the issue.

As a workaround please access via the Resource Pages – https://resources.library.ubc.ca/?searchtype=keywords&search=Commons

New Books at Education Library: May 2024

Exciting new books have just landed at the library!

Click on the cover and title for more information:

LB1139.5.R43 L56 2022 Reading above the fray: reliable, research-based routines for developing decoding skills / Julia B. Lindsey; foreword by Nell K. Duke.

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PZ7.1.O55 Ev 2023 Everyone’s thinking it / Aleema Omotoni.

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PZ7.1.H4314 We 2023 We’ll never tell / Wendy Heard.

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PZ7.1.O4425 Fu 2022 Funeral girl / Emma K. Ohland.

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PZ7.1.F75478 Re 2023 The reunion / a novel by Kit Frick.

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All About Oscar

Many thanks to guest blogger Barbara Towell, E-Records Manager with University Archives, for contributing the below post. This exhibit was co-curated by Barbara and RBSC Archivist Krisztina Laszlo.


Artray photo. ([1945]). Oscar outside Oscar’s Steak House at 701 Burrard Street (81420). Vancouver Public Library.

All About Oscar is an exhibit about 1940/50s businessman, Oscar Blanck. The photos are on display in Ike’s Café in the Ike Barber Learning Centre Spring 2024.

Oscar Blanck (1908-1954) was an entrepreneur, restaurateur and a bon vivant. Born in Brandon Manitoba, he was the eldest son of Jewish immigrants who escaped the antisemitic pogroms in late 19th-century Russia. Details are scant regarding Blanck’s early life except that part of it was spent with his parents and seven siblings in Winnipeg’s north-end known then as “Little Jerusalem”.

In the 1930s Blanck moved west settling in Vancouver with his wife Marjorie Prosterman. According to a 2018 interview with his daughter and UBC alumni Sharon Posner, the Blanck’s first opened a deli on Howe Street, but that venture failed. In 1943 Oscar and Marjorie tried their hand at business again by opening a small grocery and lunch counter called Oscar’s Deli. In the early years they sold groceries, home-made pickles, and sandwiches. This time the Blanck’s business did well enough to expand both their storefront and their menu as adjacent businesses either closed or moved. In just a few years the Blanck’s occupied a commanding spot at 1023 West Georgia and Oscar’s Steakhouse was established.

From Home-made Pickles to Home of the Stars

Westen, E. (1946). [Oscar Blanck tying his necktie] (UL_1622_0063). Uno Langmann Family Collection of B.C. https://dx.doi.org/10.14288/1.0426628

Oscar Blanck was a committed self-promoter who lived in an era where gimmicks were a popular publicity device; he never wore the same necktie twice, instead he gave them away to the first customer through the doors at midnight. Marjorie Blanck managed the business’ books while Oscar charmed customers, purchased product, handed out neckties, and managed the restaurant’s interior design. The latter included lining the walls with framed photographs and installing mirrors on the ceiling angled to enhance random people-watching. He was the only restaurateur that bought beef “on the hoof” at agricultural fares in part for the press coverage that the sale of prize cattle received in those days.

Oscar had two interconnected goals for his restaurant: to advertise his business by amplifying his image through press coverage; and to cultivate celebrities, which would presumably keep his restaurant full of customers hoping to catch a glimpse of a star. He achieved this objective by knowing what celebrity was in town, enticing them into his restaurant, and photographing the moment for posterity. One of the photographers frequently on-hand was Vancouver Sun photographer, Ralph Bower. Bower said that in the 1950s, Blanck would give him a free steak as payment for a photograph. But Bower was not the only photographer Oscar relied on, Blanck had a handful of photographers he could call at a moment’s notice including: Esther Weston who had a studio at 736 Granville Street, just two blocks from Oscar’s, before moving her business to New Westminster; and former Vancouver Sun photographer, Art Jones who in 1948 started Artray Studios and whose archive of 11,000 photographs was donated to Vancouver Public Library in 1994. If a musical act was playing next door at the Palomar Supper Club, and sleeping at one of the nearby hotels, Oscar endeavoured to ensure they were eating, often gratis, at his Steakhouse!

Jones, A. (c. 1945). [Oscar Blanck with Louis Armstrong] (UL_1622_0034). Uno Langmann Family Collection of B.C. https://dx.doi.org/10.14288/1.0426654

The late, great Vancouver legend, and bandleader, Dal Richards described himself as a regular at Oscar’s and confirmed that the steakhouse was ripe for celebrity-sightings. “I’d drop by from time to time and there they’d be: the Mills Brothers, Johnnie Ray, Frankie Laine, Sammy Davis Jr.” Alf Cottrell, writer for the Vancouver Daily Province casually reported that Oscar’s Steakhouse was the place where famous people “make themselves at home”. Cottrell found himself at Oscar’s late one night and was treated to insider intelligence from the server including what celebrities had been there and importantly for Cottrell, what they ate. Jazz musician, Louis Armstrong, for example, ordered hot chili con carne. Spike Jones, known for his spoof musical act, was serious and ate only Caesar salad while the Mexican Soccer team consumed plate upon plate of spaghetti. More than just king-sized steaks were popular at Oscar’s.

Explosive Midair Collision

Westen, E. (1946). [Oscar Blanck and a woman] (UL_1622_0074). Uno Langmann Family Collection of B.C. https://dx.doi.org/10.14288/1.0426628

At the height of Oscar’s popularity and just when plans for a new Oscar’s restaurant were well underway, tragedy struck. On April 8, 1954, after returning from seeing his ill sister, Oscar Blanck and 36 other people died when the plane they were travelling on, Trans Canada Airline Flight 9, collided mid-air with a RCAF training aircraft over Moose Jaw, Saskatchewan. The Vancouver Sun reported Trans Canada Airline Flight 9 to be the worst Canadian air disaster in history. Oscar was 45 years old.

A memorial service was held for the crash victims in Moose Jaw that was attended by more than 1000 people. Then Provincial Premier, former Baptist Minister, and father of socialized medicine in Canada, Tommy Douglas was the principal speaker followed by various religious personnel (Trotter, 1954). Blanck’s body was returned to Vancouver and buried in the Beth Israel Synagogue in Burnaby, BC.

Aftermath

Blanck’s widow Marjorie Blanck, sued the Canadian Government for $100K in damages which is estimated to be over 1 million dollars when adjusted for inflation. Multiple lawsuits brought by the families of the victims of Trans Canada Airline Flight 9 were eventually settled out of court.

On March 25, 1955, two years after Oscar’s death, Vancouver Sun entertainment reporter, Jack Wasserman had the grim task of reporting the auction results of both the Palomar Supper Club and Oscar’s Steakhouse, two pillars of 1950’s night life in Vancouver. The sale of the lighting fixtures, the name, and the stock of over 1000 celebrity photographs from Oscar’s Steakhouse earned $15,000 for the estate, which is upward of $168,000 in today’s currency.

About the photographs

The photographs in this exhibit are from the Uno Langmann Family Collection of B.C. Photographs donated to Rare Books and Special Collections in 2014 and 2020. Langmann purchased a lot of 146 Oscar Blanck photos locally from Love’s Auction House in the 1960s. The full collection held by UBC Library is digitized and available to view on Open Collections. The photos in this exhibit represent a selection from those held by UBC, and just a tiny slice of the multitude that once lined the walls of Oscar’s Steakhouse, 1023 West Georgia.

 

All About Oscar is curated by Krisztina Laszlo (Rare Books and Special Collections) and Barbara Towell (University Archives). We were unable to ascertain the names of some of the people in the photographs. Please contact us at rare.books@ubc.ca if you recognise anyone we could not identify.

Works Cited

Ancestry. n.d. “Solomon Blanck.” https://www.ancestry.ca/search/?name=Solomon_Blanck&event=_winnipeg&location=3243&priority=canada (accessed Oct. 9, 2023)

Bank of Canada. n.d. “Inflation Calculator.” https://www.bankofcanada.ca/rates/related/inflation-calculator/ (accessed Oct. 8, 2023)

Bollwitt, Rebecca. 2012 “Vancouver History, Photographer Art Jones.” Miss604. Nov. 7, 2012. https://miss604.com/2012/11/vancouver-history-photographer-art-jones.html (accessed, Oct. 8, 2023)

Cottrell, Alf. 1951. “But Listen.” The Vancouver Daily Province. March 10, 1951. https://www.proquest.com/hnptheprovince/docview/2368740460/B9BD5FA481664AEEPQ/1?accountid=14656 (accessed, Oct 8, 2023)

Donaldson, Jesse. 2019. “The Forgotten Clubs That Brought Vancouver Nights to Life.“ Montecristo Magazine, January 20, 2019, updated May 17, 2021. https://montecristomagazine.com/community/vancouvers-forgotten-nightlife-clubs (accessed Oct. 6, 2023)

Jewish Heritage Centre of Western Canada. n.d  https://www.jhcwc.org/jhc-search-detail/?sid=12912&tp=articles&pg=1 (accessed Oct. 8, 2023)

Mackie, John. “Pavel Bure, Sonny Homer’s red pants, and Ralph Bower.” The Vancouver Sun. Jun 10, 2018. https://vancouversun.com/news/local-news/pavel-bure-sonny-homers-red-pants-and-ralph-bower. (accessed Oct. 8, 2023)

Posner, Sharon. 2018. Interview by Debby Frieman. The Scribe: The Journal of Jewish Museum and Archives of British Columbia, Volume 37: 20-24.

Richards, Dal and Jim Taylor. 2009. One More Time: The Dal Richards Story. Harbour Publishing 2009

Trotter, Graham. 1954 “Five Victims of Air Crash Identified.” The Nelson Daily News, April 12, 1954. https://open.library.ubc.ca/viewer/nelsondaily/1.0427552#p0z-2r0f: (accessed Oct 6, 2023)

Vancouver Daily Province. 1948. “Ties and T-bone Steaks Have Made Him Famous.” Dec 11, 1948. https://www.proquest.com/historical-newspapers/december-11-1948-page-80/docview/2368956007/se-2. (accessed Oct. 08, 2023)

Vancouver Daily Provence. 1954. “Eyewitness Accounts: TCA Crash Scene Terrible.” April 9, 1954, https://www.proquest.com/historical-newspapers/april-9-1954-page-3-44/docview/2369136451/se-2 (accessed October 6, 2023).

Vancouver Daily Province. 1954. “Victim’s Relatives Seek $1,795,000: Families, Estates Sue Crown for Airline Disaster.” Oct 14, 1954.October 14, 1954 (Page 10 of 42) – ProQuest Historical Newspapers: The Province – ProQuest (accessed Oct 6, 2023)

Wasserman, Jack. 1955. “About Now.” The Vancouver Sun. Mar 26, 1955, https://www.proquest.com/historical-newspapers/march-26-1955-page-29-64/docview/2240206669/se-2 (accessed Oct 8, 2023)

Wildfire Prevention in B.C. Historical Newspapers: 1904-1981

A comparatively warm and dry winter here in British Columbia has experts predicting a bad year for wildfires across the province. While wildfires have always been a natural part of British Columbia’s seasonal cycle, increasing seasonal average temperatures and decreased precipitation are contributing to longer, more widespread and more destructive wildfire seasons, with four of the worst seasons in recorded history having occurred in the past 7 years  (2017, 2018, 2021, and 2023).

Unfortunately, human activity is the cause of about 40% of wildfires in the province. Human caused wildfires may be either intentional or unintentional and can include causes such as open burning, industrial activity, fireworks, sky-lanterns, improper discarding of burning items such as cigarettes, or arson. While this is a frustrating statistic to digest, the silver lining is that there is great potential for wildfire prevention through proper education, awareness and subsequent behavioral changes.

This blog post contains advertisements and newspaper articles published in B.C. between 1904-1981 regarding wildfire prevention. These materials are from our BC Historical Newspapers collection which is available through UBC’s Open Collections.

It is interesting to observe the difference in how wildfire prevention was addressed in the 20th Century compared to how it is addressed in contemporary media. Historically, the major focus to inspire wildfire prevention was to emphasize the negative economic and industry impacts of the destructive blazes. Today, while the economic and financial impact of wildfires is still part of the conversation, it is more common for the focus to be on climate change, ecological impacts, health risks and loss of life. These differences are indicative of a shift in shared cultural values as well as scientific advancement that has allowed for better understanding of the causes and long term ecological and health impacts of wildfires.

While this blog post is not an educational resource on wildfire prevention, we hope that it inspires you to be wildfire aware and practice safety precautions when enjoying the great outdoors. For information on wildfire prevention, please visit the BC government’s webpage, which contains several resources.

Similkameen Star – August 1904

This article from the Similkameen Star discusses the responsibilities of individuals to reduce the risk of wildfires.

Cumberland Islander – July 1929

            This advertisement from the Cumberland Islander in 1929 highlights the devastating impact of wildfires on raw materials, and the rippling economic impact that raw materials shortages have on other Canadian industries.

Herald – July 1929

            This public opinion advertisement from the B.C. Forest Service emphasizes the ‘hostile’ public attitude to ignorance that results in harm and encourages people not to be careless.

The Princeton Star – August 1930

            Wildfires are a direct risk to Canadian forest industries; this advertisement frames the economic impact of wildfires on Canada’s national wealth and advises Canadians to “be careful with fire while in the woods”.

Similkameen Star – December 1938

This warning to hunters and fisherman was published in the Similkameen Star by the Game Commission. It warns outdoorsman of hunting accidents and wildfire risks and the precautions that should be taken to avoid harm and ensure an enjoyable and safe experience.

The Coast News – June 1947

            This wildfire prevention advertisement was featured in The Coast News in 1947.  Once again this ad emphasizes the value of losses caused by wildfires. The Minister of Lands and Forests warns people to “BE CAREFUL WITH FIRE! PREVENT FOREST FIRES!”.

Sunshine Coast News – March 1981

            The Province of BC’s Ministry of Forests ran this advertisement in the Sunshine Coast News in 1981. The advertisement is regarding the Ministry’s new policies on “costs and action responsibilities for wildfires in British Columbia”.

We hope you enjoyed seeing these vintage wildfire prevention ads, and that you were inspired to practice preventative measures while enjoying the outdoors.

Thank you for reading!

UBC Library opens Chung | Lind Gallery

UBC Library is excited to announce the official opening of the Chung | Lind Gallery showcasing the Wallace B. Chung and Madeline H. Chung Collection and Phil Lind Klondike Gold Rush Collection. The new exhibition space in the Irving K. Barber Learning Centre on UBC’s Vancouver campus brings together two library collections of rare and culturally significant materials from Canada’s history.

The complementary collections explore the economic and social growth of early B.C. and the Yukon through exhibits that reveal stories about the Indigenous experience and the experience of Chinese immigrants to B.C. The gallery will provide faculty, students and the public with direct access to two significant Canadian cultural properties.

“We’re thankful to everyone who made the Chung | Lind Gallery a reality, after many years of planning and effort to create this remarkable space. Displayed together, these two outstanding collections will create a new focal point for historical research, teaching and learning at UBC, and in time become a magnet for scholars across Canada who wish to view these rare materials first-hand,” said university librarian Dr. Susan E. Parker.

“We are thrilled to have the opportunity to bring together these two avid and dedicated collectors—Dr. Chung and Mr. Lind—who share such a passion for history and material culture. And by putting their collections in dialogue with each other, we’ve discovered unexpected resonances. Now being displayed together publicly in the new Chung | Lind Gallery, we know the collections will continue to enrich and inform each other, providing new and exciting possibilities for learning and scholarship,” said Katherine Kalsbeek, head of rare books and special collections.

The Chung | Lind Gallery includes approximately 292 square metres of display space on the second floor of the Irving K. Barber Learning Centre. The space has been renovated to meet Canadian Conservation Institute and department of Canadian heritage guidelines and requirements for displaying, protecting and preserving heritage collections. Public and Page Two provided design support for the space.

An image of one corner of the gallery with colourful CPR posters on one wall and a black and white image from the Klondike in the foreground

The Chung | Lind Gallery. Credit: UBC Library Communications and Marketing

An achievement in visual storytelling, the Chung | Lind Gallery features both rare treasures from the collections and modern marvels. At the entrance, a large-scale model of Canadian Pacific Railway (CPR) company steamship, the Empress of Japan, restored by Dr. Chung, rides the waves over a virtual ocean designed by Dutch Igloo. Further into the gallery, a miniature log cabin comes to life with projected scenes from the Klondike era.

Funding for the gallery renovation was generously provided by Phil Lind, the UBC President’s Priority Fund, the London Drugs Foundation, donors to the library, and by the Canadian government through the department of Canadian heritage’s Canada Cultural Spaces Fund.

“Libraries play a pivotal role in preserving and sharing Canada’s history and heritage, providing invaluable access to historically significant materials. They are custodians of collective wisdom, where every book can transport us to a moment in time and every shelf offers boundless opportunities for discovery. Thanks to the newly opened Chung | Lind Gallery, now and in the future, you can learn more about important moments in our country’s history and take in rare collections being showcased. Congratulations to the University of British Columbia and everyone involved in turning this dream into reality!” said Pascale St‑Onge, minister of Canadian heritage. 

A photo of a gallery visitor looking at a display of books mounted on wall behind glass.

The Chung | Lind Gallery. Credit: UBC Library Communications and Marketing

The Wallace B. Chung and Madeline H. Chung Collection, donated to UBC Library in 1999, contains more than 25,000 rare and unique documents, books, maps, posters, paintings, photographs, tableware and other artifacts that represent early B.C. history, immigration and settlement, particularly of Chinese people in North America and the CPR. Items from the Chung Collection were previously on display at RBSC. The new gallery space will bring this collection further into the public eye and provide new opportunities for community engagement.

The Chung Collection has been designated as a national treasure by the department of Canadian heritage’s Canadian Cultural Property Export Review Board (CCPERB), and has been named to the Canadian Commission for UNESCO’s Canada Memory of the World Register.

“This collection started with an interest in my neighbourhood. My family was confined to Chinatown, and I became curious about the history of the people that lived there. Many people do not know how difficult things once were for early Chinese migrants. While the world has changed, this was only possible through first understanding the past. Our future is tied to history; to move forward, we must forgive the ills of the past, but we should never forget,” said Dr. Wallace Chung.

The Phil Lind Klondike Gold Rush Collection is an unparalleled rare book and archival collection dating from the Klondike Gold Rush, donated to UBC Library in 2021 by UBC alumnus and Canadian telecommunications icon Philip B. Lind, CM. The gift included $2 million to support the collection and the gallery renovation.

A photo of the gallery entrance, with text on the wall reading "In Search of Gold Mountain" and photos of Wallace and Madeline Chung and Phil Lind.

The Chung | Lind Gallery. Credit: UBC Library Communications and Marketing

The Lind Collection includes books, maps, letters and photos collected by Lind in honour of his grandfather Johnny Lind, a trailblazer and prospector who operated and co-owned several claims on Klondike rivers and creeks. The Lind Collection has been designated as a cultural property of outstanding significance by the CCPERB.

“The Lind family is honoured to have the Phil Lind Klondike Collection housed at UBC Library. Our father’s collection stemmed from a fascination for his grandfather, John Grieve Lind, and grew into a passion that followed him through his life. He wanted to share this underrepresented history with the academic community and for future generations to enjoy. It is truly unique to share this space with The Chung Collection, bringing together two disparate histories of west coast Canada from the turn of the century that are integral to the formation of the notion of the west,” said Jed Lind.

The Chung | Lind Gallery was unveiled with a special ribbon cutting ceremony on Friday, April 19, attended by members of both the Chung and Lind families and UBC president and vice-chancellor Dr. Benoit-Antoine Bacon. The gallery will open to the public on May 1.

Explore photos of the Chung | Lind Gallery.

 

Media contacts

Erik Rolfsen
Media Relations Specialist
Tel: 604.822.2644
erik.rolfsen@ubc.ca

Anna Moorhouse
Manager, Communications & Marketing, UBC Library
Tel: 604.822.1548
anna.moorhouse@ubc.ca