Exploring Japanese Travel Narratives in Tokugawa Era

This week’s blog post explores the fascinating world of Japanese travel during the Tokugawa period (1603 – 1868), both within Japan and beyond its borders. All materials shown in this blog post are from our Japanese Maps of the Tokugawa Era Collection which is available through Open Collection.

1. Seiyū ryotan (西遊旅譚) [A Diary of Travel from Edo to Nagasaki] – 1794

One notable work featured in this collection is the Seiyū ryotan, which was created by Shiba Kōkan (司馬 江漢, 1738?-1818), a prominent figure in Japanese art history. Shiba, a celebrated painter and printmaker during the Tokugawa period, was renowned for his Western-style Yōga (洋画) paintings, which drew inspiration from Dutch oil painting techniques and themes. Seiyū ryotan is a compilation of travel narratives accompanied by sketches of landscapes and people. Look at how Shiba captures people dancing in a circle and the beauty of Mount Fuji!

Illustrations of people dancing and singing in Seishū (勢州), which is another name for Ise Province (伊勢国)

Illustration of Mount Fuji

Illustrations of Osaka

2. Amerika shinwa (亜墨新話) [New Stories about America] – 1844

Another intriguing manuscript within this Collection is the Amerika shinwa, which offers a unique perspective into Japan’s encounter with the American continent during the mid-19th century. It is essentially a work of Hyōryūki, which is the Japanese term for narratives about being cast away as a result of a shipwreck. Amerika shinwa was compiled under the order of the Daimyo of Awa province. It narrates the tale of Hatsutarō’s voyage, which began in Japan in October 1841. It details his shipwreck in February 1842, subsequent rescue by a Spanish ship, arrival in Lower California and Mexico, and eventual journey back to Canton (Guangzhou or China).

Illustration of Macau, Guangdong

Illustration of a wedding ceremony

 

3. Kaigai shinwa (海外新話) [Story from Overseas] – 1849

Kaigai shinwa is a 5-volume text that demonstrates Japan’s understanding of western power and dominance, along with their insight into the first Opium War in China (1839-1842).

Illustration of an English Commander

 

The Sakoku “closed country” (鎖国) policy at the time effectively barred Japanese observers from being in China to witness the Opium War firsthand. Consequently, it greatly affected how Japanese learnt about the War and their understanding was significantly shaped by this isolation. For Kaigai shinwa, rather than a straightforward historical retelling, it is a narrative that blends historical events with elements added for storytelling impact to attract a broader audience. Some of these additions were likely introduced by the author, Mineta, Fūkō (1817-83) in order to enrich the narrative, while others may have been borrowed from other sources. In other words, Kaigai shinwa presents a mix of factual information alongside instances of misinformation and fabrication.

The book opens with a poem urging Japanese to view the Chinese defeat in the Opium War against Great Britain as a warning of potential future events in Japan.

Illustrations of English naval ships

While Kaigai Shinwa gained popularity among intellectuals at the time, it faced strong opposition from Shogunate officials. In fact, Kaigai shinwa was eventually banned by the Shogunate. Its author, Mineta, was subsequently imprisoned on charges of publishing the work without obtaining official consent and inspection.

 

We hope you enjoy this little dive into the rich and diverse narratives found within the Japanese Maps of the Tokugawa Era Collection. Each manuscript offers a unique glimpse into Japan’s historical encounters and perspectives on the broader world during the Tokugawa period.

Thank you for reading!

 

Works cited:

Escalona Echániz, J. M. (2022). An analysis of Amerika shinwa : manuscript circulation and epistemological background in early modern Japan. University of British Columbia. https://open.library.ubc.ca/collections/ubctheses/24/items/1.0418460.

Google Arts and Culture. (n.d.). Shiba Kōkan. https://artsandculture.google.com/entity/shiba-k%C5%8Dkan/m02747qd?hl=en.

Dower, J. W. (2010). The opium war in Japanese eyes : an illustrated 1849 “Story from Overseas” Essay by John W. Dower. MIT Visualizing Cultures. https://visualizingcultures.mit.edu/opium_wars_japan/kaigai_shinwa.pdf.

Wataru, M. (2000). Japan and China: Mutual Representations in the Modern Era (J.A. Fogel, Ed.; J.A. Fogel, Trans.; 1st ed.). Routledge. https://doi.org/10.4324/9781315027685.

Chung | Lind Gallery now open!

UBC Library is excited to announce the official opening of the Chung | Lind Gallery showcasing the Wallace B. Chung and Madeline H. Chung Collection and Phil Lind Klondike Gold Rush Collection. The new exhibition space in the Irving K. Barber Learning Centre on UBC’s Vancouver campus brings together two library collections of rare and culturally significant materials from Canada’s history.

Read more about the Chung | Lind Gallery:

 

We know that our patrons have missed being able to visit the Chung Collection Room as we have worked to prepare the new gallery. Thank you so much for your patience! We look forward to welcoming you to the new space and also introducing you to the Phil Lind Klondike Gold Rush Collection for the first time.

The Chung | Lind Gallery, on level 2 of the Irving K. Barber Learning Centre, is open Tuesday-Saturday, 10 am-5 pm. The gallery is free and open to the public, and people of all ages are encouraged to attend. Small group tours and class visits are available by appointment. For more information, please contact (604) 822-3053 or rare.books@ubc.ca.

All About Oscar

Many thanks to guest blogger Barbara Towell, E-Records Manager with University Archives, for contributing the below post. This exhibit was co-curated by Barbara and RBSC Archivist Krisztina Laszlo.


Artray photo. ([1945]). Oscar outside Oscar’s Steak House at 701 Burrard Street (81420). Vancouver Public Library.

All About Oscar is an exhibit about 1940/50s businessman, Oscar Blanck. The photos are on display in Ike’s Café in the Ike Barber Learning Centre Spring 2024.

Oscar Blanck (1908-1954) was an entrepreneur, restaurateur and a bon vivant. Born in Brandon Manitoba, he was the eldest son of Jewish immigrants who escaped the antisemitic pogroms in late 19th-century Russia. Details are scant regarding Blanck’s early life except that part of it was spent with his parents and seven siblings in Winnipeg’s north-end known then as “Little Jerusalem”.

In the 1930s Blanck moved west settling in Vancouver with his wife Marjorie Prosterman. According to a 2018 interview with his daughter and UBC alumni Sharon Posner, the Blanck’s first opened a deli on Howe Street, but that venture failed. In 1943 Oscar and Marjorie tried their hand at business again by opening a small grocery and lunch counter called Oscar’s Deli. In the early years they sold groceries, home-made pickles, and sandwiches. This time the Blanck’s business did well enough to expand both their storefront and their menu as adjacent businesses either closed or moved. In just a few years the Blanck’s occupied a commanding spot at 1023 West Georgia and Oscar’s Steakhouse was established.

From Home-made Pickles to Home of the Stars

Westen, E. (1946). [Oscar Blanck tying his necktie] (UL_1622_0063). Uno Langmann Family Collection of B.C. https://dx.doi.org/10.14288/1.0426628

Oscar Blanck was a committed self-promoter who lived in an era where gimmicks were a popular publicity device; he never wore the same necktie twice, instead he gave them away to the first customer through the doors at midnight. Marjorie Blanck managed the business’ books while Oscar charmed customers, purchased product, handed out neckties, and managed the restaurant’s interior design. The latter included lining the walls with framed photographs and installing mirrors on the ceiling angled to enhance random people-watching. He was the only restaurateur that bought beef “on the hoof” at agricultural fares in part for the press coverage that the sale of prize cattle received in those days.

Oscar had two interconnected goals for his restaurant: to advertise his business by amplifying his image through press coverage; and to cultivate celebrities, which would presumably keep his restaurant full of customers hoping to catch a glimpse of a star. He achieved this objective by knowing what celebrity was in town, enticing them into his restaurant, and photographing the moment for posterity. One of the photographers frequently on-hand was Vancouver Sun photographer, Ralph Bower. Bower said that in the 1950s, Blanck would give him a free steak as payment for a photograph. But Bower was not the only photographer Oscar relied on, Blanck had a handful of photographers he could call at a moment’s notice including: Esther Weston who had a studio at 736 Granville Street, just two blocks from Oscar’s, before moving her business to New Westminster; and former Vancouver Sun photographer, Art Jones who in 1948 started Artray Studios and whose archive of 11,000 photographs was donated to Vancouver Public Library in 1994. If a musical act was playing next door at the Palomar Supper Club, and sleeping at one of the nearby hotels, Oscar endeavoured to ensure they were eating, often gratis, at his Steakhouse!

Jones, A. (c. 1945). [Oscar Blanck with Louis Armstrong] (UL_1622_0034). Uno Langmann Family Collection of B.C. https://dx.doi.org/10.14288/1.0426654

The late, great Vancouver legend, and bandleader, Dal Richards described himself as a regular at Oscar’s and confirmed that the steakhouse was ripe for celebrity-sightings. “I’d drop by from time to time and there they’d be: the Mills Brothers, Johnnie Ray, Frankie Laine, Sammy Davis Jr.” Alf Cottrell, writer for the Vancouver Daily Province casually reported that Oscar’s Steakhouse was the place where famous people “make themselves at home”. Cottrell found himself at Oscar’s late one night and was treated to insider intelligence from the server including what celebrities had been there and importantly for Cottrell, what they ate. Jazz musician, Louis Armstrong, for example, ordered hot chili con carne. Spike Jones, known for his spoof musical act, was serious and ate only Caesar salad while the Mexican Soccer team consumed plate upon plate of spaghetti. More than just king-sized steaks were popular at Oscar’s.

Explosive Midair Collision

Westen, E. (1946). [Oscar Blanck and a woman] (UL_1622_0074). Uno Langmann Family Collection of B.C. https://dx.doi.org/10.14288/1.0426628

At the height of Oscar’s popularity and just when plans for a new Oscar’s restaurant were well underway, tragedy struck. On April 8, 1954, after returning from seeing his ill sister, Oscar Blanck and 36 other people died when the plane they were travelling on, Trans Canada Airline Flight 9, collided mid-air with a RCAF training aircraft over Moose Jaw, Saskatchewan. The Vancouver Sun reported Trans Canada Airline Flight 9 to be the worst Canadian air disaster in history. Oscar was 45 years old.

A memorial service was held for the crash victims in Moose Jaw that was attended by more than 1000 people. Then Provincial Premier, former Baptist Minister, and father of socialized medicine in Canada, Tommy Douglas was the principal speaker followed by various religious personnel (Trotter, 1954). Blanck’s body was returned to Vancouver and buried in the Beth Israel Synagogue in Burnaby, BC.

Aftermath

Blanck’s widow Marjorie Blanck, sued the Canadian Government for $100K in damages which is estimated to be over 1 million dollars when adjusted for inflation. Multiple lawsuits brought by the families of the victims of Trans Canada Airline Flight 9 were eventually settled out of court.

On March 25, 1955, two years after Oscar’s death, Vancouver Sun entertainment reporter, Jack Wasserman had the grim task of reporting the auction results of both the Palomar Supper Club and Oscar’s Steakhouse, two pillars of 1950’s night life in Vancouver. The sale of the lighting fixtures, the name, and the stock of over 1000 celebrity photographs from Oscar’s Steakhouse earned $15,000 for the estate, which is upward of $168,000 in today’s currency.

About the photographs

The photographs in this exhibit are from the Uno Langmann Family Collection of B.C. Photographs donated to Rare Books and Special Collections in 2014 and 2020. Langmann purchased a lot of 146 Oscar Blanck photos locally from Love’s Auction House in the 1960s. The full collection held by UBC Library is digitized and available to view on Open Collections. The photos in this exhibit represent a selection from those held by UBC, and just a tiny slice of the multitude that once lined the walls of Oscar’s Steakhouse, 1023 West Georgia.

 

All About Oscar is curated by Krisztina Laszlo (Rare Books and Special Collections) and Barbara Towell (University Archives). We were unable to ascertain the names of some of the people in the photographs. Please contact us at rare.books@ubc.ca if you recognise anyone we could not identify.

Works Cited

Ancestry. n.d. “Solomon Blanck.” https://www.ancestry.ca/search/?name=Solomon_Blanck&event=_winnipeg&location=3243&priority=canada (accessed Oct. 9, 2023)

Bank of Canada. n.d. “Inflation Calculator.” https://www.bankofcanada.ca/rates/related/inflation-calculator/ (accessed Oct. 8, 2023)

Bollwitt, Rebecca. 2012 “Vancouver History, Photographer Art Jones.” Miss604. Nov. 7, 2012. https://miss604.com/2012/11/vancouver-history-photographer-art-jones.html (accessed, Oct. 8, 2023)

Cottrell, Alf. 1951. “But Listen.” The Vancouver Daily Province. March 10, 1951. https://www.proquest.com/hnptheprovince/docview/2368740460/B9BD5FA481664AEEPQ/1?accountid=14656 (accessed, Oct 8, 2023)

Donaldson, Jesse. 2019. “The Forgotten Clubs That Brought Vancouver Nights to Life.“ Montecristo Magazine, January 20, 2019, updated May 17, 2021. https://montecristomagazine.com/community/vancouvers-forgotten-nightlife-clubs (accessed Oct. 6, 2023)

Jewish Heritage Centre of Western Canada. n.d  https://www.jhcwc.org/jhc-search-detail/?sid=12912&tp=articles&pg=1 (accessed Oct. 8, 2023)

Mackie, John. “Pavel Bure, Sonny Homer’s red pants, and Ralph Bower.” The Vancouver Sun. Jun 10, 2018. https://vancouversun.com/news/local-news/pavel-bure-sonny-homers-red-pants-and-ralph-bower. (accessed Oct. 8, 2023)

Posner, Sharon. 2018. Interview by Debby Frieman. The Scribe: The Journal of Jewish Museum and Archives of British Columbia, Volume 37: 20-24.

Richards, Dal and Jim Taylor. 2009. One More Time: The Dal Richards Story. Harbour Publishing 2009

Trotter, Graham. 1954 “Five Victims of Air Crash Identified.” The Nelson Daily News, April 12, 1954. https://open.library.ubc.ca/viewer/nelsondaily/1.0427552#p0z-2r0f: (accessed Oct 6, 2023)

Vancouver Daily Province. 1948. “Ties and T-bone Steaks Have Made Him Famous.” Dec 11, 1948. https://www.proquest.com/historical-newspapers/december-11-1948-page-80/docview/2368956007/se-2. (accessed Oct. 08, 2023)

Vancouver Daily Provence. 1954. “Eyewitness Accounts: TCA Crash Scene Terrible.” April 9, 1954, https://www.proquest.com/historical-newspapers/april-9-1954-page-3-44/docview/2369136451/se-2 (accessed October 6, 2023).

Vancouver Daily Province. 1954. “Victim’s Relatives Seek $1,795,000: Families, Estates Sue Crown for Airline Disaster.” Oct 14, 1954.October 14, 1954 (Page 10 of 42) – ProQuest Historical Newspapers: The Province – ProQuest (accessed Oct 6, 2023)

Wasserman, Jack. 1955. “About Now.” The Vancouver Sun. Mar 26, 1955, https://www.proquest.com/historical-newspapers/march-26-1955-page-29-64/docview/2240206669/se-2 (accessed Oct 8, 2023)

Wine Industry Overview

Wine Industry Overview melissa

Upcoming reading room closure

Entrance to Special Collections. UBC Archives Photograph Collection. UBC 1.1/15912

The Rare Books and Special Collections and University Archives Reading Room will be closed on Thursday, April 18, and Friday, April 19. Normal satellite reading room hours will resume on Monday, April 23. We apologize for any inconvenience!

If you have any questions, please feel free to contact us through the RBSC contact form or by sending an email to rare.books@ubc.ca.

Wedding Planning Industry Overview

Wedding Planning Industry Overview melissa

New Books at the Asian Library (February 2024)

BL2225 A1 F87 2023
古事記に秘められた聖地・神社の謎 : 八百万の神々と日本誕生の舞台裏 / 神道学者三橋健編 / 東京 : ウェッジ

BQ4175 H57 2023
なぜ仏教は多様化するのか : “教え”は”真理”の乗物にすぎない! / 平岡聡 / 東京都渋谷区 : 大法輪閣

CD973 D53 K96 2023
共振するデジタル人文学とデジタルアーカイブ / 鈴木親彦責任編集 / [Tokyo] : 勉誠出版

DS882 I68 2023
ステレオ写真で眺める明治日本 : まちとむらの暮らし、富士山への憧れ / 井上卓哉著 / 東京都文京区 : 古今書院

DS896.6 S55 2023
新・江戶東京研究の世界 / 法政大学江戶東京研究センター編 / 東京 : 法政大学出版局

GR730 F6 S27 2023
怪異・きつね百物語日本人ときつね : 怪異・きつね百物語 / 笹間良彦著 / 東京都千代田区 : 雄山閣

HV555 J3 S2248 2023
災害復興学事典 / 日本災害復興学会編 / 東京 : 朝倉書店

LC2365 K35 2023
男社会をぶっとばせ! : 反学校文化を生きた女子高生たち / 梶原公子 / 東京 : あっぷる出版社

ND1053.5 E256 2023
江戶の図譜 : 蟲 / 狩野博幸監修 / 東京都渋谷区 : 河出書房新社

PL519 K649 2023
ことばの教育 : 日本語で読み, 書き, 考える / 紅野謙介 / 東京 : 青土社

PL777.92 A85 S55 2023
私小說 / 金原ひとみ編 / 東京 : 河出書房新社

PL839 O522 A615 2023
1893-1966, 新しい女は瞬間である : 著作集 / 尾竹紅吉 / 富本一枝 ; 足立元編 / 東京 : 皓星社

PN1993.5 K6 I86 2023
描かれた「歴史」と社会の変化 / 伊東順子 / 東京 : 株式会社集英社

WC506.7 S2445 2023
災禍の時代の社会学 : コロナ・パンデミックと民主主義 / 遠藤薰 [and 3 others]編 / 東京都目黒区 : 東京大学出版会

Z250.5 L6 A45 2023
亜細亜の漢字ロゴデザイン/ 編者ヴィクショナリー ; 翻訳堀口容子/東京 : グラフィック社

DS732 X8292 2022
百年侨务图文集 / 徐云编著 / 广州 : 暨南大学出版社

DS799.5 W4629 2023
叩問民間  考掘台史 / 温振華著 / 台北市: 吳三連臺灣史料基金會

E184 C5 A1265 2023
100年北美华人移民史 / 张西主编 / 北京 : 中国华侨出版社

GT1556 Z4643 2022
原飾那麼美 : 臺灣原住民16族服飾文化藝術與生活美學 / 蜜兒(曾春滿)編著 ; 李竹旺攝影 / 苗栗縣 : 木果文創有限公司

HQ76.3 C6 W355 2023
認同而不出櫃 : 中國同性戀者的生存困境 / 王晴鋒著 / 臺北市 : 時報文化出版企業股份有限公司

HV6570.4 T28 C446692 2022
沉默 : 特教學校集體性侵事件判決的艱難 / 陳昭如 / 台北市 : 春山出版有限公司

PL2368 B34 L529 2023
海外中国宝卷收藏与研究导论 / 李永平, (荷)伊维德, (俄)白若思等著 / 上海市 : 上海古籍出版社

PL2862.I237 M45 2022
沒有信箱的男人 / 夏曼.藍波安著 / 臺北市 : 聯合文學出版社股份有限公司

PL2878 N57 Z48 2022
竹雞與阿秋 / 凌煙 / 台北市 : 玉山社出版事業股份有限公司

PL2976 T5369 R829 2022
如雪如山 / 张天翼著 / 北京 : 人民文学出版社

PL3032 S5462 S5468
深圳新文学大系:「底层文学」卷 / 深圳市 : 海天出版社

PN1997 A14 H396 2023 dvd
哈勇家 / 華映娛樂股份有限公司 [and seven others];  導演, 陳潔瑤 / 臺北市 : 飛行國際視聽股份有限公司

PN1997.2 T5638 2022 dvd
聽見歌再唱 / 十三月股份有限公司製作、出品 / 台北市 飛擎國際視聽有限公司

S471 C6 W323 2023
中国古代耕织图概论 / 王潮生著 / 石家庄 : 花山文艺出版社 : 河北科学技术出版社

PK1718 R3119 P53155 2023
फटिकचन्द / सत्यजित राय, बांग्ला से अनुवाद, मुक्ति गोस्वामी / दिल्ली : रेमाधव पब्लिकेशन्स

PK2098.12 T73 D37 2023
दस्तखत : (लघुकथा- संग्रह) / रामकुमार आत्रेय / गाज़ियाबाद, उ. प्र. : अंतिका प्रकाशन प्रा. लि

PK2098.29 U28 A63 2023
दस्तखत : (लघुकथा- संग्रह) / रामकुमार आत्रेय / गाज़ियाबाद, उ. प्र. : अंतिका प्रकाशन प्रा. लि

PK2098.36 N48 A52 2023
आकाश चम्पा / संजीव / दिल्ली : रेमाधव पेपरबैक्स

PK2099.27 O33 J36 2023
जंगलगाथा / लोकबाबू / दिल्ली : राजपाल

PK2099.3 A73 A43 2023
अम्बिका / आशुतोष नाड़कर / नयी दिल्ली : वाणी प्रकाशन

PK2099.4 R53 S24 2023
सफ़र लम्बा है / बाबूराम त्रिपाठी / नयी दिल्ली : वाणी प्रकाशन

PK2659 B46 C45 2023
ਛਿੱਟ ਛਿੱਟ ਦੇ ਤਿਰਹਾਏ : ਨਾਵਲ / ਜਸਬੀਰ ਭੁੱਲਰ / Mohali-Chandigarh, India : Lokgeet Parkashan

PK2659 K4893 S53 2023
ਸ਼ਾਹਸਵਾਰ : ਕਹਾਣੀ ਸੰਗ੍ਰਹਿ / ਵਰਿੰਦਰ ਖੁਰਾਣਾ / Patiala : Gracious Books

PK2659 M2957 M375 2023
ਮਰਿਆ ਨਹੀਂ ਜਾਂਦਾ : ਚੋਣਵੀਆਂ ਕਹਾਣੀਆਂ / ਸੁਖਵੰਤ ਕੌਰ ਮਾਨ / ਲੁਧਿਆਣਾ : ਚੇਤਨਾ ਪ੍ਰਕਾਸ਼ਨ

PK2659 V37 H57 2023
ਹੀਰ ਵਾਰਿਸ ਸ਼ਾਹ / ਸੰਪਾਦਕ, ਮਨਪ੍ਰੀਤ ਕੌਰ / ਸਮਾਣਾ : ਨਵਰੰਗ ਪਬਲੀਕੇਸ਼ਨਜ਼

PR9796.5 N373 M26155 2023
मालगुडी की कहानियाँ / आर. के. नारायण; अनुवाद, महेंद्र कुलश्रेष् / दिल्ली : राजपाल

DS907 C547 2023
5천년 역사 가 단숨 에 이해 되는 최소한 의 한국사 / 최 태성 지음 / 경기도 파주시 : 프런트 페이지

DS922.42 K556 Y56 2023
김 대중 과 중국 / 이 남주, 장 신기, 장 윈링, 비 잉다 공저 / 서울 특별시 : 연세 대학교 출판 문화원

DS922.463 Y86 2023
모든 현재 의 시작, 1990년대 / 윤 여일 지음 / 경기도 파주시 : 돌베개

HN730.5 A8 C415 2023
이탈리아 로 가는 길 : 선진국 한국 의 다음 은 약속 의 땅 인가 / 조 귀동 지음 / 서울시 : 생각 의 힘

JC421 K56 2023
누가 민주주의 를 두려워 하는가 : 지성사 로 보는 민주주의 혐오 의 역사 / 김 민철 지음 / 경기도 파주시 : 창비

PL994.15 H96 W3 2023
완벽 한 죽음 을 팝니다 / 지 현상 소설집 / 충청남도 : 오러

PL994.18 C455 K8 2023
구 의 증명 / 최 진영 소설 / 서울 특별시 : 은행 나무

PL994.18.C455 T34 2023
단 한 사람 / 최 진영 장편 소설 / 서울시 : 한겨레 출판

PL994.225 B67 H3 2023
한밤 의 시간표 / 정 보라 연작 소설집 / 경기도 고양시 : 퍼플 레인

PL994.9 S523 K55 2023
공산주의자 가 온다! : 이 신주 소설집 / 서울 특별시: 아작

QC24.5 K54 2023
하늘 과 바람 과 별 과 인간 : 원자 에서 인간 까지 / 김 상욱 지음 / 서울시 : 바다 출판사

Hina Matsuri and Koinobori Display

The Asian Library is currently hosting a display featuring hina ningyō and koinobori in celebration of Girl’s Day and Children’s Day.  

Hina ningyō are a set of dolls that represent the emperor, empress, attendants, and musicians in ancient court dress. They are set up on a tiered platform in celebration of hina matsuri (doll festival), a festival for girls held on March 3. The hina ningyō featured in the display, on loan from Gage Dierkes, were purchased from a Japanese gift store in Honolulu, Hawaii and given to her family in 1974 by her grandmother. Hina matsuri is celebrated by the family by eating hishimochi (diamond-shaped rice cakes) and drinking shirozake (made with rice malt and sake).  

Koinobori (carp streamers) are carp-shaped banners, flown in celebration of Children’s Day on May 5. In Japan, carps are a symbol of success, due to the ancient Chinese legend of a carp swimming upstream and becoming a dragon. The black carp represents the father, the red one the mother and the blue one the son. Traditionally, koinobori, were flown to celebrate the health and prosperity of male children, but the practice has come to include children of all genders.

The Japanese lanterns in the background are on loan from the Westside Japanese Language Society and were constructed by Akira Furuzawa. These Japanese lanterns, called chōchin are commonly displayed during matsuri (festivals).  

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“Doll Festival 【雛祭】”, Encyclopedia of Japan, JapanKnowledge, https://japanknowledge-com.eu1.proxy.openathens.net, (accessed Feb.20,2024) 

“koinobori 【鯉幟】”, Encyclopedia of Japan, JapanKnowledge, https://japanknowledge-com.eu1.proxy.openathens.net, (accessed Feb.20,2024) 

Kids Take Over UBC at Asian Library – Event Recap

Photo credit: Harshi Jhaveri

Photo credit: Harshi Jhaveri

On Sunday, February 18, Asian Library welcomed approximately 800 participants as part of Kids Take Over UBC, which is hosted by UBC Campus + Community Planning. The event brought together campus partners to host family-friendly activities in their venues and across the campus. Asian Library partnered with Nitobe Gardens for koi and garden-themed display activities, and offered games and storytimes for family members of all ages. Student librarians Nobu Kawaguchi, Fin Bartels and Grace Park supported the programming alongside the rest of the Asian Library team.

Kids Discover Asia: Discover Asian Games – Ages 5+
10:00am-4:00pm  Lunar New Year Riddles
1:00-3:00pm  Hopscotch
3:00-3:40pm  Japanese karuta Card Games and Korean Board Games
 Kids Discover Asia: Asian Language Storytimes & Kamishibai – Ages 0+
(*Storytimes are conducted in both English and Asian languages)
10:10-10:30am  Mandarin Storytime
11:20-11:40am  Korean Storytime
11:40am-12pm  Kamishibai Japanese Paper Theatre
1:30-1:45pm  Persian Storytime with Pardis Sherkani
2:15-2:30  Urdu and Hindi Storytime with Naveena Naqvi
 Kids Discover Asia: Get Crafty – All ages
10:40-11:20am Origami: Discover the art of origami and make koi fish and other animals and objects with paper.
12:30-1:00pm Kite Bookmarks: Create kite bookmarks to celebrate the Lunar New Year using discarded book covers.
1:00-1:30pm Koinobori (Carp Streamers): Construct your own carp streamer, a Children’s Day tradition in Japan.
2:00-3:30pm Mehndi by Meet: Experience beautiful henna skin decorations (space limited).
2:00-2:30pm Origami: Discover the art of origami and make koi fish and other animals and objects with paper.
2:30-3:00pm Squiggly insects and flowers: Make insects and flowers with pipe cleaners.
 Kids Discover Asia: A Japanese Garden Exploration – All ages
10:00am-4:00pm In addition to the above activities, UBC Asian Library and UBC Botanical Garden invite you to explore the magic of Nitobe Memorial Garden. Stroll along the pathways, take in the peaceful sights, sounds and smells while completing a scavenger hunt and connecting with nature.

We acknowledge that the UBC Point Grey campus is situated on the traditional, ancestral, and unceded territory of the xʷməθkʷəy̓əm (Musqueam).

WE ARE HUMAN!: Film Discussion Event Recap

On Tuesday, February 6, approximately sixty-two in person participants and twenty-seven online participants attended a hybrid panel discussion featuring a documentary film on human rights violations in Japan. The event, which was hosted by UBC Asian Library and the Department of Asian Studies, centered around the film Watashitachi wa Ningen da! ワタシタチハニンゲンダ! (We are Human!) which was produced in 2022 by director Ko Chanyu, a second-generation Zainichi (‘residing in Japan’) Korean journalist and filmmaker.

The film can be viewed here (CWL required): https://resolve.library.ubc.ca/cgi-bin/catsearch?bid=12858063

This free public event, offered concurrently as part of UBC’s Arts Studies course, ASTU 201: Canada, Japan and the Pacific: Cultural Studies, highlighted the work of panelists with expertise on the history of contemporary issues of (im)migration, labour, and racism in Canada and Japan.

After watching a filmed interview by Director Ko, Dr. Ayaka Yoshimizu, Assistant Professor of Teaching, Department of Asian Studies & UBC-Ritsumeikan Academic Exchange Programs, moderated an enlightening discussion with panelists Dr. Christina Yi, Associate Professor of Modern Japanese Literature, Department of Asian Studies, and Dr. Evelyn Encalada Grez, Assistant Professor of Labour Studies Program, Sociology and Anthropology, Simon Fraser University.

Dr. Yi addressed the history of Zainichi Koreans and the Japanese government’s policies towards them as the foundation for subsequent policies regarding immigrants and refugees. Dr. Encalada Grez presented on similar human and labour rights issues in Canada, notably the migrant farm workers who are an essential part of Canadian and BC agriculture, yet are subject to inhumane living conditions and restrictions of basic human freedoms.

The following additional resources were recommended for those interested in furthering their knowledge: