The vendors at 20-seiki Media Jōhō Dētabēsu have let us know that the database is down and searching is not possible.
They are working to resolve but in the meantime have set up this workaround site that can be used:
An aggregation of UBC Library blogs that highlight the Library’s collections, services, spaces and events.
By ryan regier on May 30, 2025
The vendors at 20-seiki Media Jōhō Dētabēsu have let us know that the database is down and searching is not possible.
They are working to resolve but in the meantime have set up this workaround site that can be used:
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By epederso on May 29, 2025
Welcome to our May & June 2025 Booklist!
This special joint edition features over 50 newly arrived titles across a wide range of genres, including engaging picture books and young adult novels, as well as professional resources for educators, researchers, and those working in higher education.
Picture books and children’s literature highlighting themes of friendship, nature, culture, and community
Young adult novels exploring activism, identity, grief, and self-discovery
Professional and academic titles on teaching practice, qualitative research, higher education, and global learning
Memoirs and biographies that share personal journeys—from Holocaust survival to Indigenous activism and international experiences
Informative nonfiction covering climate change, ecosystems, water conservation, and more
Click on a book cover to preview the title on Google Books. Click on the title to check availability or place a hold through the UBC Library catalogue.
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By Teddie B on May 28, 2025
Photo courtesy of UBC Library Communications and Marketing
Hello! My name is Teddie Brock and I am thrilled to be working at cIRcle as the new Digital Repository Research Assistant for the summer 2025 term. I am in my second year of the dual Master of Library and Information Studies and Archival Studies (MASLIS) program at the UBC iSchool, with interests in open access, digital preservation, and records management, particularly in the area of scholarly research.
Some of my tasks this summer will include preparing submissions for deposit to cIRcle, reviewing and updating internal repository conventions and procedures, and supporting cIRcle outreach initiatives. In addition, I will also be contributing to the cIRcle blog to share project updates and insights. Please stay tuned for more posts in the coming months!
Posted in cIRcle Blog, cIRcle News, Communication, Communications | Read More | No Comments
By Jill Henderson on May 22, 2025
In last month’s blog post, we took you on an introductory tour of the realities of the Klondike Gold Rush era alongside the Phil Lind Klondike Gold Rush Collection. We continue this tour with Part 1 of a two-part series about Indigenous stories of the Klondike Gold Rush, namely that of the Tr’ondëk Hwëch’in people.
In Part 1, we identify the Indigenous people central to the Gold Rush’s discovery narrative. We also explore the history of the Tr’ondëk Hwëch’in people, and the crucial role they played during the Klondike Gold Rush era.
Portraits of Indigenous people (nations unknown; between 1897 and 1924)
A note on historical photographs of Indigenous people
It is difficult to ascertain the context or intent behind the photographs of Indigenous people in the Phil Lind Klondike Gold Rush Collection. 19th and 20th century settler photography of Indigenous people was sometimes shot under exploitative circumstances, or misidentified its subjects. However, many photographs from this time were produced with full control and consent from their Indigenous subjects.
For more information, refer to Looks Can Be Deceiving: Issues Regarding 19th-Century Native American Photographs, which guided the above statement.
Indigenous people, who have inhabited the land now known as the Yukon Territory for millennia, have long been excluded from Gold Rush narratives. While photographs of Indigenous people in this collection may have been produced from a colonial or voyeuristic perspective, they are visual evidence of the presence and impact of Indigenous people during the Klondike Gold Rush era. These photos have been included in this post as a means of revising Eurocentric Gold Rush narratives that invisibilize both the labour and the existence of Indigenous communities during this period.
A note on outdated language in the Phil Lind Klondike Gold Rush Collection
Outdated terms for Indigenous people exist in this collection, and are present in two photographs in this post. Inclusion of these materials is not an endorsement of this language. In addition to the above noted purpose, these documents also preserve “historical evidence of social conditions and attitudes” of the era.
These photos are intended to be viewed through a critical lens, keeping in mind their historical context.
Indigenous Icons of the Gold Rush
For decades after its end, the lore of the Klondike Gold Rush primarily credited George Cormack, a white settler, with spotting the first traces of gold in the Yukon River. While it was often noted that Tagish men Skookum Jim (Keish) and Tagish Charlie (K̲áa Goox̱) were by his side, cultural representations portrayed them as just that: sidekicks.
A group of white prospectors pan for gold in the Klondike (1899)
It is now understood that it was just as likely that Skookum Jim, Tagish Charlie, or Cormack’s wife, a Tagish woman named Kate (Shaaw Tláa) had first made the fateful discovery, but that Cormack had registered the official claim because he was white.
While decades of retellings of the Klondike Gold Rush era have centered the stories of white prospectors, the Indigenous communities of the Yukon not only played a pivotal role in the Klondike Gold Rush, but were also profoundly affected by the mass migration.
A group of Indigenous boys and men stand in front of a tent (1908)
History of the Tr’ondëk Hwëch’in
The Tr’ondëk Hwëch’in people, or the People of the Hammer-Rock River, are descendants of the Hän, who have inhabited the Yukon Territory for thousands of years. For centuries, the Tr’ondëk Hwëch’in traversed their territory as the seasons shifted, gathering berries in the fall and hunting in the winters.
Photos in the Phil Lind Collection show the vastness of the Yukon River, where the Tr’ondëk Hwëch’in spent summers fishing for salmon.
“Telephoto view down Yukon from Dawson” (between 1895 and 1900)
Tr’ondëk Hwëch’in Territory
The territory of Tr’ondëk Hwëch’in people extends from the Yukon River valley through to the Blackstone Uplands.
The Phil Lind Klondike Gold Rush Collection features many photos of the landscape surrounding the Yukon River, where the traditional Tr’ondëk Hwëch’in territory is located.
The “heart” of their territory is Tr’ochëk, the land between the Klondike and Yukon Rivers. The Tr’ondëk Hwëch’in fished, hunted, and held cultural events on this land for hundreds of years before the Gold Rush. In the late 1800s, stampeders would occupy this area, displacing the Tr’ondëk Hwëch’in.
This photo from the Phil Lind Collection shows Tr’ochëk:
“Mouth of the Klondyke, showing lower town and Yukon River, Alaska” (1899)
Role of the Tr’ondëk Hwëch’in in the Gold Rush Era
During the Klondike Gold Rush, the Tr’ondëk Hwëch’in worked as hunters, porters, and traders, as well as on paddlewheelers, at building sites, and on claims.
A group of Indigenous men and boys rest on the Dyea trail (1897)
Their expertise was invaluable to prospectors who were unfamiliar with the territory, and their skills were often preferred over those of settlers. The meat supplied by Tr’ondëk Hwëch’in hunters was at some points crucial to the survival of Dawson City residents.
While they tried to coexist harmoniously with stampeders, the Gold Rush had dire social and environmental implications for the Tr’ondëk Hwëch’in. Despite this, their culture and tradition has endured, and they remain a strong, self-governing nation to this day.
Stay tuned…
… for Part 2, where we delve into the impacts of the Klondike Gold Rush on the Tr’ondëk Hwëch’in and explore the nation’s contemporary history. We also meet Chief Isaac, the revered chief of the Tr’ondëk Hwëch’in during the Klondike Gold Rush.
Posted in Carousel, Digitizers' Blog, Indigenous stories, Phil Lind Klondike Gold Rush Collection | Read More | No Comments
By elimwong on May 21, 2025
Posted in Carousel, Featured, General Announcements, Law Library Blog | Read More | No Comments
By savages on May 13, 2025
Open Access Article Publishing at UBC: Annual Report
2023/2024
The Scholarly Communications and Copyright Office has released the 2023/24 Open Access Article Publishing at UBC Report. This report provides an overview of yearly open access (OA) article publishing trends at UBC and seeks to increase transparency around financial conditions for OA article publishing, and to highlight the impact of publisher negotiations on OA at UBC. For more information, or to share feedback please contact scholarly.communications@ubc.ca.
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By elimwong on May 13, 2025
Posted in Carousel, Featured, General Announcements | Read More | No Comments
By Jill Henderson on May 9, 2025
In the 1960’s, tensions around free speech, civil rights, and the Vietnam War were growing at the University of California, Berkeley. Students were organizing politically and becoming increasingly emboldened in their expressions of outrage through civil disobedience. The 1960’s Berkeley protests represented the largest organized student demonstrations to date, drawing unprecedented numbers, producing tangible results, and laying the groundwork for university protest movements to come.
In this week’s post, we explore the 1960’s Berkeley protests alongside the Berkeley 1968-1973 Poster Collection. These posters were originally donated in 1979 by Helmut Jung of Gold River, BC and are available through UBC’s Open Collections.
“Don’t Mourn: Organize Toward a Joyous Future” (Creator Unknown)
The posters originate from the University of California, Berkeley and surrounding areas, and were produced on a variety of paper types, including computer paper, poster paper, and cardboard paper. They are eye-catching and evocative, and give the viewer a glimpse into the political tension and tumult of the era from the perspective of activist groups and political organizers.
“Unite Against the War” (Creator Unknown)
The posters in this collection vary in style: some are hand drawn and illustrative, while others employ collage and include photographic elements. Many use provocative language to emphasize their creator’s frustration, while others promote pacifistic messages of peace. These posters, however, all have one thing in common: they are fascinating time capsules of the countercultural political ideals from this particular era, and some might even feel relevant in current political climate.
“Did We Really Come in Peace for All Mankind?” (Creator: Robin Temaiana Repp)
History of Protest at University of California, Berkeley
The political demonstrations that occurred on and around the University of California’s Berkeley campus in the 1960’s took different approaches and had varying goals. The largest and most influential of these demonstrations was the Free Speech Movement, a months-long political action that began in September 1964. The Free Speech Movement was catalyzed by a campus-wide ban on political organizing, and culminated in a jaw-dropping 32-hour non-violent human blockade around a police car.
The posters in the Berkeley Poster Collection were created a few years after the Free Speech Movement, and so do not speak to the movement directly. However, they draw upon the very principles the movement aimed to defend, urging the viewer to exercise their freedom of speech and “speak out” against injustice.
Many of the political protests during this time centered around the Vietnam War. “Stop the Draft” Week in 1967 attempted to disrupt the conscription process, while the Vietnam Day Committee organized many anti-war marches throughout the late 1960’s.
“Unity in Our Love of Man” (Creator Unknown)
We see this resistance to the Vietnam War represented in many of the posters in the collection, demonstrating broader anti-war sentiments as well as more nuanced critiques. Common themes include military disengagement, criticism of President Nixon, and sympathy for Vietnamese civilians.
“Security is a Silent Majority” (Creator Unknown)
The Berkeley Posters, Then and Now
Though it’s now decades later, we see some of these posters’ themes—dissatisfaction with the president, threats to democracy, American military intervention—represented in current political discourse. This collection’s significance is twofold: it illuminates the political ideals of its era, while highlighting the perseverance of some of those same political ideals today.
“War No More” (Creator Unknown)
Perhaps these similarities reveal a cynical truth: that we, as a society, have allowed history to repeat itself. But they also remind us of the power of the common people, and of their resilience in continuing to fight against systemic injustice. And while it may seem trite, the overwhelming number of posters within the Berkeley Poster Collection that simply call for peace remind us that the human desire for peace is timeless and enduring. This quest for peace, while ongoing, is not a fool’s errand. Rather, it is a legacy left by those who fought for justice before us, and one that we must continue to pursue.
“Let There Be Peace and Let it Begin With Me” (Creator: Robin Temaiana Repp)
Posted in activism, Berkeley Poster Collection, Carousel, Digitizers' Blog, open collections, Vietnam War | Read More | No Comments
By Claire Malek on April 28, 2025
“North Shore Pier Construction.” 4 Sept. 1937. University of British Columbia. Library. Rare Books and Special Collections. The Chung Collection. CC_PH_09370_017_007.
The Wallace B. Chung and Madeline H. Chung Collection and Phil Lind Klondike Gold Rush Collection Gallery will be closed from April 29 to May 17 inclusive due to a nearby construction project in the Irving K. Barber Learning Centre. Normal Gallery hours will resume on Tuesday, May 20. We apologize for any inconvenience!
During the closure, we invite you to browse digitized materials from the Chung and Lind Collections, and enjoy stories from the Chung | Lind Gallery Blog.
If you have any questions, please feel free to contact us through the RBSC contact form or by sending an email to rare.books@ubc.ca.
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By Andrew R. Sandfort-Marchese on April 26, 2025
Mar June, center to the direct right of man in light suit. Mar Yee Why to the left of the light suit. Ma Wah Kan, on the far left by himself.
Yucho Chow Studio. 1915. “Quon On Jan Travel Agency, Maw Sun Hay – Owner.” Chung Collection. CC-PH-00425. B&W Photograph on matting. doi:http://dx.doi.org/10.14288/1.0216673.
In this photo by Yucho Chow dating to the 1920s we see a group of sharp businessmen in front of the Quon On Jan company store. This photo shows more than just a snapshot of daily life in bygone days – this place was not just a business, but a lifeline for Chinese Canadians navigating immigration, trade, and community life. In this blog we will talk about some of the identified men in this photo and their lives in the context of the Quon On business. This company, alongside its affiliate Quon On Co., was instrumental in the maritime and railway travel networks linking British Columbia to Asia and the United States. At the helm of Quon On Jan was Mar June 馬駿 (centre, farthest on the right), also known by the name 馬心喜—a powerful merchant.
Earliest known photo of Mar June, C. 1905. US National Archives and Records Administration. Mar June, Chinese Exclusion Case Files. Box 341 Case 7027/70
Mar June’s origins trace back to the village of Ow Ben, Toisan (歐邊), in Kwonghoi township (廣海) Canton Province. His entry into Canada was recorded as May 1, 1895 on some documents, aligning with a later registration in 1909 upon arrival in Victoria from Seattle aboard the Canadian Pacific SS Princess Victoria. In that 1895 ledger he was listed as a merchant, aged 31, with no head tax recorded—a hint that he may have actually entered and become established before full enforcement of the Chinese Immigration Act. In US National Archives materials, there is ample evidence he travelled between Seattle, Port Townsend, Victoria, and Vancouver often during the years before the 1923 Canadian Exclusion Act was passed.[i]
By 1923, Mar June’s Quon On Jan firm was operating at 137-139 E Pender Street, sharing space with the Ma Gim Doo Hung (馬金紫堂 Mah Family Society). He most likely had a major role purchasing this plot of land and establishing the Mah clan’s hall on this prominent stretch of Chinatown’s commercial thoroughfare when they moved from a rooming house on Cambie St in 1920. This building remains a prominent historical landmark and continues to host the Mah Society of Vancouver. By 1924-1925 Quon On Jan moved to the address shown in the Yucho photo, 295 E Pender.
Detail from an ad and steamship timetable. The Chinese Times [Tai hon Kong Bo Ltd 大漢公報]. 民國十一年九月二十五日 [Sept 25 1922], Chinese Freemasons of Canada [加拿大洪門致公堂] Volume 21, No. 51. Pg. 8
Mar June in the 1920s or 1930s. US National Archives and Records Administration. Mar June, Chinese Exclusion Case Files. Box 341 Case 7027/70
Quon On Jan was not an isolated operation. The wider Mah family and their associates formed a tightly knit web of clan, trade, business, and community roles.
Mar Chan (馬進 also known as Mar Kok Leu/Len, not pictured in the Chow photo), from Kwonghoi, was an elder among Chinese ticket agents in Victoria. Likely a mentor of Mar June, he had arrived in Victoria before the head tax via San Francisco, and as early as 1898 he was a longstanding cannery labor contractor. Like with the Yip family, power and money from Chinese ticketing developed alongside control over where indebted labourers worked through perilous contracts, especially in canneries and farms. Eventually Mar Chan became the head of all Chinese agents for the Blue Funnel Line through both Quon On Co. and Quon On Jan. His business firm and family compound at 529 Cormorant Street, Victoria became a key address used by many Chinese workers registering under the Exclusion Act. He retired to China, his gold mountain dream, in 1928 at the age of 80, after 57 years in Canada. His departure would align with a new generation of brokers, ticket agents, merchants and translators arriving at the forefront of Chinatown life.[ii]
Mar Chan retiring to China. Mar Chan AKA Mar Kok Yen “Records of Entry and Other Records” 1928-06-06/1930-09-11, Microfilm, Canadian Immigration Service, RG 76, T-16586, Image134, CI 9 #053730, Library and Archives Canada.
One of these up-and-comers was Mar Yee Why 馬余槐/淮 (centre, second from left of the four), possibly a cousin or associate of Mar June. Known later as Fred Bing Yee, he arrived in 1918 on the CPR Empress of Japan and began work as a passenger agent for Quon On Co., frequently traveling between Victoria and Vancouver. He journeyed to Seattle throughout the harsh Exclusion era in his private car, connected to Quon On’s operations. His comparative ease of travel across this rigid border often hostile to Chinese is noteworthy; Yee even returned from China in 1933 aboard the SS Ixion in second class—a rarity for Chinese Canadians, but fitting for someone deeply involved in international travel logistics.[iii] He later served as an accountant for the Young Fong Co. and passed away in 1963, survived by his wife, two sons, and a daughter.
As the 1930s approached, Frank Mah Fook Shung 馬福崇 emerged as a vital figure in the evolution of Quon On. He married Mary Lam, the daughter of Chung Ling Lam of the Hong Wo store in Richmond, in 1931. Around this point the Quon On partnership dissolved, with Quon On Co. of Victoria and Vancouver continuing as Blue Funnel Agents under Frank’s management, while Quon On Jan became American Mail Line and Dollar Line Agents, with Mar June remaining CNR ticketing agent.
Us National Archives and Records Administration. Frank Mah Fook Shung. Chinese Exclusion Case Files. Box 341 Case 7027/91
Initially the couple lived above Quon On Co.’s new address at 254½ Pender St, but later moved to the Cumberland Apartments on 14th Ave, making the couple early Chinese Canadian residents of Vancouver’s West Side, contemporaries of Tong Louie and Geraldine Seto in Point Grey. The Mah’s became known for their hospitality, hosting dignitaries and leaders of Chinatown as key parts of Vancouver “society life.”
Mary Lam Travelling to the US with her husband. Us National Archives and Records Administration. Frank Mah Fook Shung. Chinese Exclusion Case Files. Box 341 Case 7027/91
Frank was the English Secretary of the Chinese Merchants Association and a prolific presence in the English newspapers of the time. He coordinated the mass exodus of poor Chinese elderly “bachelor” men post-repeal of the Chinese Exclusion Act in 1947. Quon On’s reputation had remained strong into the post-war period, with the firm acting as agent for American President Lines, one of the only lines Chinese Canadians who wished to return to China for retirement could take home—particularly as CPR limited its passenger service from BC.
Frank Mah, centre beneath the Republic of China flag with unidentified Chinese woman. Detail from Soroptomist club of Vancouver [Chinese Appreciation Dinner] RBSC-ARC-1679-CC-PH-11023, Chung Collection, 24 Feb. 1942. B&W Photograph
Mary Mah was much more than a travel agent. She was a member of the Soroptimists Club, active in the Pender Y, and taught Cantonese cooking at UBC’s Home Economics building as part of extension courses. She was a supporter of the Chinatown News magazine through her frequent purchase of advertisement space, and was a noteworthy bridge between early local born Chinese and those following in the 1940s and 1950s. These efforts helped broaden understanding and appreciation of Chinese culture in British Columbia during the 1960s.[v] She lectured widely on art, politics, and the cosmopolitan life of Hong Kong.
In 1960, Quon On Co. found itself peripherally involved in the RCMP’s sweeping investigations into “paper sons.” While the company did not engage in document fraud, it occasionally referred inquiries about getting fake documents to George Lim, Mary’s brother and head of Hong Wo store, which managed farms and cannery contracts.[vi]
Though Quon On World Travel—the company’s last iteration—likely ended operation during the COVID-19 pandemic, the spirit of the original firm endures. Its legacy lives on through archives, oral histories, and the memories of thousands whose journeys it helped facilitate—across oceans and generations.
Mary Mah passed away on October 21, 1990, just shy of her 90th birthday. She and Frank Mah are buried at Mountain View Cemetery, as well as Mar June and his wife Jung Shee, whose work through businesses like Quon On shaped the Chinese Canadian experience.[vii]
City of Vancouver Planning Department, [438-440 Main Street – Quon On Co. Ltd. Travel and Alexander Beauty Salon], July 1976, COV-S644-: CVA 1095-13756, Box F19-E-02 folder 7. B&W Photo Negative. Copyright City of Vancouver.
[i] US National Archives and Records Administration, Seattle branch. Mar June. Chinese Exclusion Act Case files, Box 341 Case 7027/70.
[ii] Mar Chan had at least three children, and likely had multiple wives as many merchants did. Known descendants are: Mar Kai Kong 馬啓, Mar Kai Kai Leong 馬啓亮, and Mar Hang So.
[iii] Library and Archives Canada, Passenger Lists: Vancouver and Victoria 1925-1935, Reel T-14903, June 3 1933, SS. Ixion
[iv] Chinatown News, Jan 18, 1959, page 11
[v] Chinatown News, Sept 3 1961, page 24
[vi] Library and Archives Canada, 2025, Access to Information Request A-2022-04779, Image 1190
[vii] Frank and Mary Mah had no children, and its unclear if Mar June and his wife or wives did.
Posted in Blue Funnel Line, Chinese American History, Chinese Canadian History, Chung, chung collection, Chung Lind Gallery, Collections, Exhibitions, Frontpage Exhibition, History, Immigration and Settlement, Research and learning, vancouver, Victoria, Yip Family | Read More | No Comments