Yucho Chow, Part 1: “Rain or Shine, Anything, Anywhere, Anytime”

The early to mid 1900s marked a time of immense social exclusion for immigrants and people of colour in Vancouver, with most white-run businesses catering solely to Anglo customers. Much of the studio photography that has emerged from this era reflects this reality, obscuring the existence of the city’s immigrant families in the process. However, Yucho Chow, Vancouver’s first Chinese photographer, welcomed everyone into his studio. His works not only elucidate Vancouver’s 20th-century diversity, but provide families otherwise excluded from portrait photography with visual documentation of their histories, too.

Portrait of Chinese family, after 1920 (Uno Langmann Collection)

Yucho Chow opened his Vancouver photography studio in 1907. In alignment with his slogan “Rain or Shine, Anything, Anywhere, Anytime”, Chow photographed anyone who asked. Thus, his customer base largely comprised of those who had historically been denied service by Vancouver’s Anglo photographers, including Punjabi Sikh, Black, Japanese, Indigenous, Ukrainian, and Czech communities.

Yucho Chow Studio envelope, circa 1930s (Uno Langmann Collection)

In 2011, community historian Catherine Clement partnered with the Chinese Canadian Historical Society of British Columbia to bring together the works of Yucho Chow, most of which were at that time housed in private family photo albums. By unravelling Chow’s story, Clement found that she consequently unravelled a myriad of others, bringing to light the lives of other Vancouver immigrants. These photographs are digitally browsable through the project’s website, as well as the City of Vancouver Archives.

Young person and infant, circa 1930s (Uno Langmann Collection)

In Part 1 of our two-part series about Yucho Chow, we explore his path to becoming one of Vancouver’s most revered chroniclers of 20th-century communities of colour. The Wallace B. Chung and Madeline H. Chung Collection and the Uno Langmann Family Collection of B.C. Photographs, both available to browse through UBC Open Collections, feature an array of Yucho Chow’s work, including a remarkable album containing studio portraits and ephemera from his business operations.

Chow’s beginnings

Yucho Chow was born in 1876 in Kaiping, China. In 1902, he immigrated to Canada, where he was forced to pay the Chinese head tax, a shameful, racist legislative policy imposed upon Chinese immigrants by the Canadian government from 1885 to 1923. Little is known about Chow’s life in Vancouver before he opened his studio in 1907, though it is rumoured he worked as a house servant while apprenticing to become a photographer.

Chow opened the Yucho Chow Studio at 68 West Hastings St. in 1907 during a time of widespread and deeply oppressive anti-Asian discrimination in Canada. This was reflected in social attitudes as well as legislation, impacting Asian residents’ access to employment, education, housing. The grand opening of Yucho Chow Studio occurred only a short time before the Vancouver anti-Asian Chinatown riots of 1907. Still, Chow continued to run his successful and well-loved business for 42 years until his passing in 1949.

A group portrait with Yucho Chow at front centre, circa 1930s (Uno Langmann Collection)

Chow’s subjects

Chow invited all customers to be photographed in his studio. Here, he took portraits of newlyweds, families, babies, and even the recently deceased, providing families with photos to send back home as “informal death certificates”. He also documented these communities outside his studio, capturing everyday moments as well as organized events like celebrations, graduations, and clan gatherings.

Strathcona Elementary School kindergarten class portrait, after 1920 (Chung Collection)

Even more progressive than his embrace of customers of all races and nationalities was Chow’s openness to photographing interracial marriages, which were deemed widely unacceptable across many social and cultural lines.

Advertisement in City of Vancouver Police Department Publication, 1921 (BC Historical Books Collection)

For marginalized Vancouver residents who experienced daily exclusion in so many other social domains, it wasn’t just Chow’s chronicling of their histories that was impactful, but his inclusivity, too.

Quon On Jan Travel Agency,1915 (Chung Collection)

Stay tuned…

… For Part 2, where we explore Chow’s style, techniques, and legacy.

 

Learn more

Through a Wide Lens – The Hidden Photographs of Yucho Chow (video by Catherine Clement & the Vancouver Historical Society, 2020)

Yucho Chow’s Vancouver (photo essay, The Tyee, 2019)

References

Cheung, C. (2020, December 29). How Yucho Chow’s photos reframed Vancouver history. The Tyee. https://thetyee.ca/Culture/2020/12/29/Yucho-Chow-Photos-Reframe-Vancouver/

Chinatown through a wide lens: The hidden photographs of Yucho Chow. (n.d.). Yucho Chow. https://www.yuchochow.ca/

Griffin, K. (2019, May 3). ‘Silent’ Yucho Chow photograph has a story again after being identified by family. Vancouver Sun. https://vancouversun.com/news/local-news/silent-yucho-chow-photograph-has-a-story-again-after-being-identified-by-family

Peng, J. (2023). Yucho Chow. In The Canadian Encyclopedia. Historica Canada. https://www.thecanadianencyclopedia.ca/en/article/yucho-chow

Yucho Chow. (2025 August 5). In Wikipedia. https://en.wikipedia.org/wiki/Yucho_Chow

RBSC and University Archives Reading Room moving to appointment-based system on September 1

Interior view of the RBSC/UA Reading room with wooden bookshelves lining the walls, a carpeted floor and tables and chairs

Starting September 1, 2025, Rare Books and Special Collection (RBSC) and University Archives (UA) will move to appointment-based Reading Room visits. This change will allow the library to continue to serve patrons during a construction project that will impact our access to storage areas. We will be unable to accommodate walk-in visits until further notice.

If you would like to request RBSC or UA materials to consult in the Reading Room, please schedule an appointment at least 24 hours in advance during weekday business hours. In order to allow sufficient time to retrieve these materials, we encourage library patrons to provide as much advanced notice as possible for their requests.

If you are unable to schedule an appointment using our online form, please email rare.books@ubc.ca or call 604 822-2521.

Thank you for your patience!

New: Reading Room appointments

Entrance to Special Collections. UBC Archives Photograph Collection. UBC 1.1/15912

Starting September 1, 2025, Rare Books and Special Collection (RBSC) and University Archives (UA) will move to appointment-based Reading Room visits. This change will allow us to continue to serve library patrons during a construction project impacting our access to storage areas. We will be unable to accommodate walk-in visits until further notice.

If you would like to request RBSC or UA materials to consult in the Reading Room, please schedule an appointment at least 24 hours in advance during weekday business hours. In order to allow sufficient time to retrieve these materials, we encourage library patrons to provide as much advanced notice as possible for their requests.

If you are unable to schedule an appointment using our online form, please email rare.books@ubc.ca or call 604 822-2521.

Also due to ongoing upgrades, the Rare Books and Special Collections and University Archives Reading Room has temporarily relocated down the hall to a satellite reading room in Irving K. Barber Learning Centre room 142.

Reading Room hours for Winter Term I (September – December, 2025) will be Monday-Friday, 10 a.m.-2 p.m. Scheduled class visits will be accommodated outside of public reading room hours.

Thank you for your patience!

Library Crawl 2025

New students are invited to join the UBC Library Crawl throughout the month of September and visit all seven library branches across campus.

Pick up a map at the UBC Library Imagine Day booth on September 2 or from any library circulation desk until supplies run out. As you visit each branch, collect stamps and discover the unique spaces and resources they offer.

The first 150 students to complete the map will receive a UBC Library-themed sticker sheet, available at the Chapman Learning Commons desk.

Visit branches. Collect stamps. Discover your campus.

Learn more about our branches:
library.ubc.ca/libraryunbound

Welcome to the Education Learning Commons!

For the 2025-2026 academic year and amidst the relocation of Education library collections and services to Koerner Library, the Education Learning Commons remains open for students in Neville Scarfe. While the Faculty of Education will lead the long-term transition of this space, this year it will remain open with student study space and access to computers, printers, and scanners.

You can also find a wide range of helpful online resources at education.library.ubc.ca, including:

  • Lesson planning and research guides

  • Citation style guides

  • Recommended booklists and more

Education Librarian Emily Fornwald and Student Librarians Hyejin and Garland also remain available to help students, faculty, and staff locate library material for research, teaching, and lesson planning. You can contact us at ed.lib@ubc.ca. Send us your questions anytime or make arrangements for an in-person or Zoom consult with us via email or our appointment booking page.

We look forward to meeting and working with you this year!

Revisiting My Term with cIRcle

A view of the front exterior of the Walter C. Koerner Library at UBC . Flowers are visible in the foreground, along the bottom and right side of the image.

Photo courtesy: UBC Library Communications and Marketing

As my term with cIRcle comes to an end, I have been reflecting on what I’ve learned during my introduction to working in an open access institutional repository. This post is an overview of my contributions to various cIRcle projects and the skills I have developed over the past few months. Combined with my work for cIRcle, I also had the pleasure of taking the Program for Open Scholarship and Education this term through the UBC Library, which reinforced my day-to-day learning about the broader open access landscape.

Submission Support

As the Digital Repository Research Assistant, one of my main responsibilities throughout the term was to provide ongoing support to cIRcle’s mediated deposit submission workflows. This work involves depositing a range of content on behalf of authors by preparing files (e.g., adding version statements and standardizing filenames) and creating new metadata records in DSpace, cIRcle’s open source repository software. cIRcle’s Metadata Manual–which was recently updated in June–was one of the key resources that I consulted regularly to ensure all records were accurately described to support discovery and retrieval of materials within UBC’s Open Collections.

After the initial cIRcle onboarding period, I became more comfortable working with terminology and concepts that I had previously limited hands-on experience with, including Creative Commons licensing, embargo policies, deposit workflows, and identifying the differences between preprints, postprints, and published article versions. Taking part in this work was also a great opportunity to gain insight into the range of research produced by UBC faculty, staff and students across the university’s various programs and community affiliations.

Blog Posts : Non-English and Multilingual Theses and Dissertations

I also wrote and collaborated on a two-part series of instructional blog posts. The first post, co-written with Amber Saundry, focuses on answering a common question from graduate students regarding cIRcle’s support for submitting theses and dissertations containing non-English and multilingual content. This post provides an overview of how cIRcle metadata fields reflect non-English, multilingual and other non-language content, as well as cIRcle metadata’s affordances and limitations. The second post provides guidance on how to browse and find these materials by leveraging Open Collections’ search features.

Throughout my writing process, I greatly benefited from ongoing feedback and insights from the cIRcle team. Consulting cIRcle’s procedures for creating accessible screenshots and writing alternative text also helped me to enhance the instructional content of these posts.

This project was a valuable exercise in learning how to synthesize technical concepts and distil them effectively for a wider audience. Though I had already developed an interest in metadata from previous coursework, I gained an even greater appreciation of the many layered ways metadata (and importantly, a broader awareness and understanding of its existence) can preserve and help others discover a wide variety of digital content. Notably, I was pressed to think more about how standards, like Unicode, facilitate how linguistic content is represented digitally.

DSpace Communities and Collections Authorization Audit

Over the years, cIRcle workflows have shifted toward a primarily mediated deposit model. As a result, the cIRcle team recognized the need for a fulsome review of user roles assigned to cIRcle’s communities and collections (maintained within DSpace) to reflect current workflows.

This project builds off of work started by cIRcle’s prior Research Assistant in Winter 2024, who created a spreadsheet that outlined the roles, groups, and users assigned to each DSpace community and collection. Using guidelines developed by the cIRcle Office, they built a list of recommended actions to remove, add, or maintain DSpace users and groups to ensure alignment.

My contribution to this project involved implementing each of the recommended actions to reflect these updates. I gained experience navigating DSpace’s internal architecture, and developed insight into how DSpace authorization settings can be customized to support workflows for creating and managing cIRcle collections.

Content Recruitment and Outreach : UBC Librarians and Archivists

This term I worked on one of cIRcle’s content recruitment and outreach campaigns. cIRcle’s previous campaign focused on recruiting articles authored by UBC faculty supervisors of recently deposited graduate theses and dissertations. The scope of this summer’s campaign was to recruit eligible articles authored by UBC librarians, archivists and library staff. This first involved identifying UBC Library-affiliated articles that were not already openly accessible. Next, I confirmed the articles’ eligibility for deposit by referring to the associated journal’s self-archiving policies. One of the most helpful tools I used during this process was Jisc’s Open Policy Finder, a search engine designed specifically for navigating the complex and ever-changing terms set by journals and publishers. Once I determined whether an article was permitted for deposit to an institutional repository (and if there was an associated embargo period), I contacted the author to request the appropriate article version and a signed copy of the cIRcle Non-Exclusive Distribution License. If I received both components, I proceeded with the mediated deposit workflow to deposit the content to cIRcle.

Before I began the work of identifying articles and conducting author correspondence, I also contributed to developing email templates. Considering the challenges presented by the shifting open access landscape, this work further highlighted the essential role of communications in increasing authors’ awareness of the available options for making their work open and accessible to others.

Wrap up

Over the course of these various projects I developed a much stronger sense of the collective of skills and knowledge required for maintaining and developing an institutional repository, both day-to-day and long-term. I am grateful for the opportunity to develop these skills with the ongoing support and generosity of the cIRcle Office. As an aspiring lifelong advocate of open research principles, I look forward to applying what I’ve learned in future roles.

UBC Library 2024/25 Senate Report

UBC Library's annual Senate Report (2024/25) is now available. Read our highlights from the past fiscal year which include advancing research, learning and scholarship, engaging with communities, creating and delivering responsive collections, inspiring with innovative spaces and services, and stewarding the organization.

eResources Current Short Staffed- Slow to Respond to Tickets

Due for unforeseen circumstances the eResource Team will be short staffed between August 15th – Sept 5th. We will be slow to respond to tickets and emails.

Thank you for your patience. Please do feel free to follow up if you don’t get a response from us within a few days.

Thank you,

Ryan

Ryan Regier  (He/Him)
Collections Services Librarian – Renewals and eResources Access
The University of British Columbia Library
Unceded territory of the xʷməθkʷəy̓əm (Musqueam) People
Phone: 604 822 6893
ryan.regier@ubc.ca

Lake Louise Becomes the Swiss Alps in Eternal Love

Browsing UBC Open Collections, one can find several instances of comparison between Western Canadian mountain ranges and the Swiss Alps. This postcard book, for example, labels the Rockies as the “Switzerland of America”.

20 Beautiful View of the Canadian Pacific Rockies, The Road through the Switzerland of America (Uno Langmann Collection, circa 1920s)

Like the Swiss Alps, Western Canada’s mountainous landscapes boast jaw-dropping elevation, striking snow-capped tips, and spectacular greenery, providing justification for these comparisons. This stereograph names Mt. Sir Donald, located within the Columbia Mountains, the “Matterhorn of the North American Alps”, with its back caption claiming that the “scenery is quite like that of the Swiss Alps, but on a much grander scale”.

Mt. Sir Donald, the Matterhorn of the North American Alps, British Columbia, Canada (Uno Langmann Collection, 1903)

It’s no surprise, then, that in 1928, highly respected German-American film director Ernst Lubitsch chose to pass off our humble Rockies as their world-famous Swiss counterparts in his film Eternal Love. Several photos from the Uno Langmann Family Collection of British Columbia Photographs document the Lake Louise, Alberta shoot, permitting the viewer a behind-the-scenes glimpse into a fascinating era of filmmaking.

Lubitsch lying on wooden structure on set of Eternal Love (Uno Langmann Collection, 1928)

Created at the end of the silent film and beginning of the sound film era, Eternal Love has no spoken dialogue, but is accompanied by a musical score and sound effects, constituting it as a hybrid silent/sound film. It would be the last silent film for Lubitsch, as well as for its lead actors John Barrymore and Camilla Horn.

Shooting Eternal Love

Using Banff National Park’s stunning landscape as its alpine backdrop, Eternal Love tells the story of two Swiss lovers destined to be together despite being trapped in passionless marriages to other people. Filming locations include Sentinel Pass and the summit of Saddleback Pass.

Horn and Barrymore on location (Uno Langmann Collection, 1928)

The Uno Langmann Collection holds some remarkable images depicting Eternal Love’s direction and cinematography.

On set (1928, Uno Langmann Collection)

Photos also portray other integral behind-the-scenes moments, including the hair and makeup team preparing actors for their moment in the spotlight.

Actors getting ready (1928, Uno Langmann Collection)

Local Perspectives

Excerpts from the BC Historical Newspaper Collection give insight into the Canadian perception of the film shoot at the time, as well as its run in local movie theatres after its release.

An article from The Greenwood Ledge details how Barrymore refused the use of a double in his portrayal of “daredevil mountaineer” Marcus, only to sprain both ankles during the shoot.

The Greenwood Ledge, December 13th, 1928

A blurb in The Princeton Star’s “Here and There” section describes how the crew transported “Hollywood snow” to Lake Louise, only to learn it had been unnecessary upon seeing the vista covered in the real thing.

The Princeton Star, December 6th, 1928

Nelson, BC’s The Daily News advertises a screening at its local Capitol Theatre, describing the film as “searing, seething, cyclonic—a tempestuous heart drama”.

The Daily News, August 12, 1928

The Legacy of Eternal Love

After its original theatrical release, Eternal Love was considered lost for many decades. However, in 1990, a 16mm print was discovered in the film collection of actress and film producer Mary Pickford, and was subsequently rereleased in theatres with its original music and sound effects.

The film was never a massive commercial or critical success, with reviews at the time criticizing its weak script and at-times-overdramatic acting. Nevertheless, it has remained well-respected for its beautiful scenery and photography, confirmed by the stunning behind-the-scenes images that have since emerged.

Mountainside view of Eternal Love shoot (1928, Uno Langmann Collection)

While Eternal Love is certainly not considered one of the greatest films of all time, it features some major players in early 20th-century film and remains loved by many. And for Western Canadians at the time, the film’s local production was a source of excitement and pride.

Note: Photos from the Uno Langmann Collection depicting the Eternal Love film set contain some inaccurate metadata, including provided titles referring to the film as Le Roi de la Bernina (possibly its working title) and a description stating it was filmed in B.C. The Digitization Centre is aware of these inaccuracies, and will be correcting these errors after the completion of our digital asset management system migration.

ASTM Access Issues

ASTM has moved some content (ebooks and journals) to a new website – ASTM Digital Library

ASTM Standards are still located on the old ASTM Compass website.

Users may linking issues. If so, please report to eResources.