Preserving the UBC Japanese Special Collection

Database Down – 20-seiki Media Jōhō Dētabēsu

The vendors at 20-seiki Media Jōhō Dētabēsu have let us know that the database is down and searching is not possible.

They are working to resolve but in the meantime have set up this workaround site that can be used:

New Books at Education Library: May & June 2025

Welcome to our May & June 2025 Booklist!
This special joint edition features over 50 newly arrived titles across a wide range of genres, including engaging picture books and young adult novels, as well as professional resources for educators, researchers, and those working in higher education.

  • Picture books and children’s literature highlighting themes of friendship, nature, culture, and community

  • Young adult novels exploring activism, identity, grief, and self-discovery

  • Professional and academic titles on teaching practice, qualitative research, higher education, and global learning

  • Memoirs and biographies that share personal journeys—from Holocaust survival to Indigenous activism and international experiences

  • Informative nonfiction covering climate change, ecosystems, water conservation, and more

Click on a book cover to preview the title on Google Books. Click on the title to check availability or place a hold through the UBC Library catalogue.

BF637.M56 M33 2021 Me and my sit spot / Lauren MacLean ; illustrated by Anna Panchuk.

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HV1431 .O35 2024 Road home / Rex Ogle.

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PZ7.G65435 Tr 2024 Trajectory / Cambria Gordon.

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PZ7.1.E274 Fl 2024 The Flicker / H.E. Edgmon.

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PZ7.1.C6334 Lo 2024 Looking for smoke / K.A. Cobell.

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PZ7.1.F5347 Ri 2024 Rise / Freya Finch.

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PZ7.1.K58384 Fr 2024 A friend for Eddy / Ann Kim Ha.

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PZ7.1.Y365 Pri 2022 Private label / Kelly Yang.

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PZ7.1.W3645 Su 2024 Summer at Squee / Andrea Wang.

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Indigenous Stories of the Klondike Gold Rush: Part 1 – The Tr’ondëk Hwëch’in

In last month’s blog post, we took you on an introductory tour of the realities of the Klondike Gold Rush era alongside the Phil Lind Klondike Gold Rush Collection. We continue this tour with Part 1 of a two-part series about Indigenous stories of the Klondike Gold Rush, namely that of the Tr’ondëk Hwëch’in people.

In Part 1, we identify the Indigenous people central to the Gold Rush’s discovery narrative. We also explore the history of the Tr’ondëk Hwëch’in people, and the crucial role they played during the Klondike Gold Rush era.

Portraits of Indigenous people (nations unknown; between 1897 and 1924)

A note on historical photographs of Indigenous people

It is difficult to ascertain the context or intent behind the photographs of Indigenous people in the Phil Lind Klondike Gold Rush Collection. 19th and 20th century settler photography of Indigenous people was sometimes shot under exploitative circumstances, or misidentified its subjects. However, many photographs from this time were produced with full control and consent from their Indigenous subjects.

For more information, refer to Looks Can Be Deceiving: Issues Regarding 19th-Century Native American Photographs, which guided the above statement.

Indigenous people, who have inhabited the land now known as the Yukon Territory for millennia, have long been excluded from Gold Rush narratives. While photographs of Indigenous people in this collection may have been produced from a colonial or voyeuristic perspective, they are visual evidence of the presence and impact of Indigenous people during the Klondike Gold Rush era. These photos have been included in this post as a means of revising Eurocentric Gold Rush narratives that invisibilize both the labour and the existence of Indigenous communities during this period.

A note on outdated language in the Phil Lind Klondike Gold Rush Collection

Outdated terms for Indigenous people exist in this collection, and are present in two photographs in this post. Inclusion of these materials is not an endorsement of this language. In addition to the above noted purpose, these documents also preserve “historical evidence of social conditions and attitudes” of the era.

These photos are intended to be viewed through a critical lens, keeping in mind their historical context.

Indigenous Icons of the Gold Rush

For decades after its end, the lore of the Klondike Gold Rush primarily credited George Cormack, a white settler, with spotting the first traces of gold in the Yukon River. While it was often noted that Tagish men Skookum Jim (Keish) and Tagish Charlie (K̲áa Goox̱) were by his side, cultural representations portrayed them as just that: sidekicks.

A group of white prospectors pan for gold in the Klondike (1899)

It is now understood that it was just as likely that Skookum Jim, Tagish Charlie, or Cormack’s wife, a Tagish woman named Kate (Shaaw Tláa) had first made the fateful discovery, but that Cormack had registered the official claim because he was white.

While decades of retellings of the Klondike Gold Rush era have centered the stories of white prospectors, the Indigenous communities of the Yukon not only played a pivotal role in the Klondike Gold Rush, but were also profoundly affected by the mass migration.

A group of Indigenous boys and men stand in front of a tent (1908)

History of the Tr’ondëk Hwëch’in

The Tr’ondëk Hwëch’in people, or the People of the Hammer-Rock River, are descendants of the Hän, who have inhabited the Yukon Territory for thousands of years. For centuries, the Tr’ondëk Hwëch’in traversed their territory as the seasons shifted, gathering berries in the fall and hunting in the winters.

Photos in the Phil Lind Collection show the vastness of the Yukon River, where the Tr’ondëk Hwëch’in spent summers fishing for salmon.

“Telephoto view down Yukon from Dawson” (between 1895 and 1900)

Tr’ondëk Hwëch’in Territory

The territory of Tr’ondëk Hwëch’in people extends from the Yukon River valley through to the Blackstone Uplands.

The Phil Lind Klondike Gold Rush Collection features many photos of the landscape surrounding the Yukon River, where the traditional Tr’ondëk Hwëch’in territory is located.

Postcard depicting Forty Mile Town, a traditional harvest and hunting area for the Tr’ondëk Hwëch’in (1898)

The “heart” of their territory is Tr’ochëk, the land between the Klondike and Yukon Rivers. The Tr’ondëk Hwëch’in fished, hunted, and held cultural events on this land for hundreds of years before the Gold Rush. In the late 1800s, stampeders would occupy this area, displacing the Tr’ondëk Hwëch’in.

This photo from the Phil Lind Collection shows Tr’ochëk:

“Mouth of the Klondyke, showing lower town and Yukon River, Alaska” (1899)

Role of the Tr’ondëk Hwëch’in in the Gold Rush Era  

During the Klondike Gold Rush, the Tr’ondëk Hwëch’in worked as hunters, porters, and traders, as well as on paddlewheelers, at building sites, and on claims.

A group of Indigenous men and boys rest on the Dyea trail (1897)

Their expertise was invaluable to prospectors who were unfamiliar with the territory, and their skills were often preferred over those of settlers. The meat supplied by Tr’ondëk Hwëch’in hunters was at some points crucial to the survival of Dawson City residents.

While they tried to coexist harmoniously with stampeders, the Gold Rush had dire social and environmental implications for the Tr’ondëk Hwëch’in. Despite this, their culture and tradition has endured, and they remain a strong, self-governing nation to this day.

Stay tuned…

… for Part 2, where we delve into the impacts of the Klondike Gold Rush on the Tr’ondëk Hwëch’in and explore the nation’s contemporary history. We also meet Chief Isaac, the revered chief of the Tr’ondëk Hwëch’in during the Klondike Gold Rush.

Congratulations, Grad Class of 2025!

Congratulations, Grad Class of 2025 Best wishes and good luck, From the Law Library Staff

New Books at the Law Library – 25/05/21

LAW LIBRARY reference room (level 2): KE9275.A3281999 B67 2023 G. Botting, Canadian Extradition Law, 6th ed (LexisNexis Canada, 2023). LAW LIBRARY level 3: KPA4652 .K569 2024 Kim Yong-jin, Han Sang-jin, Pong Chi-uk, Apsu susaek 김 용진, 한 상진, 봉 지욱 , 압수 수색 (Sŏul-si : Nyusŭ T’ap’a, 2024). (서울시 : 뉴스 타파, 2024).

Lost access to UN Comtrade

Subscription access currently not working. Free access only. Eresources is investigating!

https://resources.library.ubc.ca/page.php?details=united-nations-commodity-trade-statistics-database&id=482

Open Access Article Publishing at UBC: Annual Report

Open Access Article Publishing at UBC: Annual Report

2023/2024

The Scholarly Communications and Copyright Office has released the 2023/24 Open Access Article Publishing at UBC Report. This report provides an overview of yearly open access (OA) article publishing trends at UBC and seeks to increase transparency around financial conditions for OA article publishing, and to highlight the impact of publisher negotiations on OA at UBC. For more information, or to share feedback please contact scholarly.communications@ubc.ca.

Mental Health Awareness Display in the Law Library

“You Got to Speak Your Mind”: The 1960’s Berkeley Protests

In the 1960’s, tensions around free speech, civil rights, and the Vietnam War were growing at the University of California, Berkeley. Students were organizing politically and becoming increasingly emboldened in their expressions of outrage through civil disobedience. The 1960’s Berkeley protests represented the largest organized student demonstrations to date, drawing unprecedented numbers, producing tangible results, and laying the groundwork for university protest movements to come.

In this week’s post, we explore the 1960’s Berkeley protests alongside the Berkeley 1968-1973 Poster Collection. These posters were originally donated in 1979 by Helmut Jung of Gold River, BC and are available through UBC’s Open Collections.

“Don’t Mourn: Organize Toward a Joyous Future” (Creator Unknown)

The posters originate from the University of California, Berkeley and surrounding areas, and were produced on a variety of paper types, including computer paper, poster paper, and cardboard paper. They are eye-catching and evocative, and give the viewer a glimpse into the political tension and tumult of the era from the perspective of activist groups and political organizers.

“Unite Against the War” (Creator Unknown)

The posters in this collection vary in style: some are hand drawn and illustrative, while others employ collage and include photographic elements. Many use provocative language to emphasize their creator’s frustration, while others promote pacifistic messages of peace. These posters, however, all have one thing in common: they are fascinating time capsules of the countercultural political ideals from this particular era, and some might even feel relevant in current political climate.

“Did We Really Come in Peace for All Mankind?” (Creator: Robin Temaiana Repp)

History of Protest at University of California, Berkeley

The political demonstrations that occurred on and around the University of California’s Berkeley campus in the 1960’s took different approaches and had varying goals. The largest and most influential of these demonstrations was the Free Speech Movement, a months-long political action that began in September 1964. The Free Speech Movement was catalyzed by a campus-wide ban on political organizing, and culminated in a jaw-dropping 32-hour non-violent human blockade around a police car.

The posters in the Berkeley Poster Collection were created a few years after the Free Speech Movement, and so do not speak to the movement directly. However, they draw upon the very principles the movement aimed to defend, urging the viewer to exercise their freedom of speech and “speak out” against injustice.

“Speak Out” (Creator Unknown)

Many of the political protests during this time centered around the Vietnam War. “Stop the Draft” Week in 1967 attempted to disrupt the conscription process, while the Vietnam Day Committee organized many anti-war marches throughout the late 1960’s.

“Unity in Our Love of Man” (Creator Unknown)

We see this resistance to the Vietnam War represented in many of the posters in the collection, demonstrating broader anti-war sentiments as well as more nuanced critiques. Common themes include military disengagement, criticism of President Nixon, and sympathy for Vietnamese civilians.

“Security is a Silent Majority” (Creator Unknown)

The Berkeley Posters, Then and Now

Though it’s now decades later, we see some of these posters’ themes—dissatisfaction with the president, threats to democracy, American military intervention—represented in current political discourse. This collection’s significance is twofold: it illuminates the political ideals of its era, while highlighting the perseverance of some of those same political ideals today.

“War No More” (Creator Unknown)

Perhaps these similarities reveal a cynical truth: that we, as a society, have allowed history to repeat itself. But they also remind us of the power of the common people, and of their resilience in continuing to fight against systemic injustice. And while it may seem trite, the overwhelming number of posters within the Berkeley Poster Collection that simply call for peace remind us that the human desire for peace is timeless and enduring. This quest for peace, while ongoing, is not a fool’s errand. Rather, it is a legacy left by those who fought for justice before us, and one that we must continue to pursue.

“Let There Be Peace and Let it Begin With Me” (Creator: Robin Temaiana Repp)