Mental Health Awareness Display in the Law Library

UBC Library supports Canadian research data discovery in European open scholarship platform

UBC Library supports Canadian research data discovery in European open scholarship platform

UBC Library has added a new research platform, OpenAIRE, to its suite of data discovery systems, making Canadian research data more accessible to scholars in the European Union.

OpenAIRE is a European platform and not-for-profit organisation that supports open scholarship by providing the infrastructure to accumulate, store and link open research from all disciplines.

“OpenAIRE is the EU’s Google Scholar for research objects. It allows researchers in the European Union to see a variety of scholarly outputs, including grants, datasets, articles, books and more,” says Eugene Barsky, Research Data Management Librarian at Koerner Library, who completed this project as part of his sabbatical.

Collaborating with the Digital Research Alliance of Canada (the Alliance), UBC Library has enhanced the Lunaris platform, Canada’s national discovery service for multidisciplinary data, for research data discovery in OpenAIRE under the FAIR principles. Through Lunaris, information about UBC research data—in the form of metadata records—is brought together in a centralized repository, known as a metadata store. These collected metadata records are then made available in different formats, which are used by various discovery services, such as ProQuest, Google Data, DataOne, the US National Library of Medicine, and now EU’s OpenAIRE.

By making research data available in this way, through a single repository and in multiple metadata formats, UBC research reaches a wider audience globally.

“If you have any partner organizations, or know of any disciplinary databases or researchers who want to access more Canadian research data, now we have a way to give them this type of access,” says Barsky. “And scholarly partners, like OpenAIRE, can acquire that metadata in the formats they need for interoperability.”

In simpler terms, interoperability means that different research platforms and systems can easily share, read, and use the same data—no extra work or reformatting required.

There are also plans in the works to add additional enhancements, says Barsky, like map search capabilities: “Our next step is to make Canadian research data accessible to the world in a geospatial format, in addition to other metadata standards.”

“You Got to Speak Your Mind”: The 1960’s Berkeley Protests

In the 1960’s, tensions around free speech, civil rights, and the Vietnam War were growing at the University of California, Berkeley. Students were organizing politically and becoming increasingly emboldened in their expressions of outrage through civil disobedience. The 1960’s Berkeley protests represented the largest organized student demonstrations to date, drawing unprecedented numbers, producing tangible results, and laying the groundwork for university protest movements to come.

In this week’s post, we explore the 1960’s Berkeley protests alongside the Berkeley 1968-1973 Poster Collection. These posters were originally donated in 1979 by Helmut Jung of Gold River, BC and are available through UBC’s Open Collections.

“Don’t Mourn: Organize Toward a Joyous Future” (Creator Unknown)

The posters originate from the University of California, Berkeley and surrounding areas, and were produced on a variety of paper types, including computer paper, poster paper, and cardboard paper. They are eye-catching and evocative, and give the viewer a glimpse into the political tension and tumult of the era from the perspective of activist groups and political organizers.

“Unite Against the War” (Creator Unknown)

The posters in this collection vary in style: some are hand drawn and illustrative, while others employ collage and include photographic elements. Many use provocative language to emphasize their creator’s frustration, while others promote pacifistic messages of peace. These posters, however, all have one thing in common: they are fascinating time capsules of the countercultural political ideals from this particular era, and some might even feel relevant in current political climate.

“Did We Really Come in Peace for All Mankind?” (Creator: Robin Temaiana Repp)

History of Protest at University of California, Berkeley

The political demonstrations that occurred on and around the University of California’s Berkeley campus in the 1960’s took different approaches and had varying goals. The largest and most influential of these demonstrations was the Free Speech Movement, a months-long political action that began in September 1964. The Free Speech Movement was catalyzed by a campus-wide ban on political organizing, and culminated in a jaw-dropping 32-hour non-violent human blockade around a police car.

The posters in the Berkeley Poster Collection were created a few years after the Free Speech Movement, and so do not speak to the movement directly. However, they draw upon the very principles the movement aimed to defend, urging the viewer to exercise their freedom of speech and “speak out” against injustice.

“Speak Out” (Creator Unknown)

Many of the political protests during this time centered around the Vietnam War. “Stop the Draft” Week in 1967 attempted to disrupt the conscription process, while the Vietnam Day Committee organized many anti-war marches throughout the late 1960’s.

“Unity in Our Love of Man” (Creator Unknown)

We see this resistance to the Vietnam War represented in many of the posters in the collection, demonstrating broader anti-war sentiments as well as more nuanced critiques. Common themes include military disengagement, criticism of President Nixon, and sympathy for Vietnamese civilians.

“Security is a Silent Majority” (Creator Unknown)

The Berkeley Posters, Then and Now

Though it’s now decades later, we see some of these posters’ themes—dissatisfaction with the president, threats to democracy, American military intervention—represented in current political discourse. This collection’s significance is twofold: it illuminates the political ideals of its era, while highlighting the perseverance of some of those same political ideals today.

“War No More” (Creator Unknown)

Perhaps these similarities reveal a cynical truth: that we, as a society, have allowed history to repeat itself. But they also remind us of the power of the common people, and of their resilience in continuing to fight against systemic injustice. And while it may seem trite, the overwhelming number of posters within the Berkeley Poster Collection that simply call for peace remind us that the human desire for peace is timeless and enduring. This quest for peace, while ongoing, is not a fool’s errand. Rather, it is a legacy left by those who fought for justice before us, and one that we must continue to pursue.

“Let There Be Peace and Let it Begin With Me” (Creator: Robin Temaiana Repp)

 

Lost access to ProQuest’s Music Periodicals Database

We’ve lost access to ProQuest’s Music Periodicals Database and the journals included in there.

eResources is investigating!

2025 UBC Undergraduate Prize in Library Research award ceremony

Ridhwanlai Badmos, Ciara Albrecht, Ethan Lui, Joshua Bransford and Sophie Pavey with Dr. Susan E. Parker, University Librarian.

Ridhwanlai Badmos, Ciara Albrecht, Ethan Lui, Joshua Bransford and Sophie Pavey with Dr. Susan E. Parker, University Librarian.

On May 6, winners of the 2025 UBC Undergraduate Prize in Library Research celebrated their awards with family, faculty, donors and other members of the UBC community. The event was hosted by Dr. Susan E. Parker who was joined by other speakers including Dr. Sabina Magliocco, Professor, Sociocultural Anthropology.

“This year, we received a diverse array of research statements from students across many UBC faculties. We were thrilled by the quality of applications, and in fact, received far more strong submissions than we are able to honour here today. This will be the first year that we are able to award five prizes” says Dr. Parker.

Joshua Bransford, Sophie Pavey, Ciara Albrecht, Ethan Lui and Ridhwanlai Badmos speaking about their projects.

Joshua Bransford, Sophie Pavey, Ciara Albrecht, Ethan Lui and Ridhwanlai Badmos speaking about their projects.

This year’s winners include:

  • Joshua Bransford, 5th year Faculty of Arts student, won a $3,000 prize for his reflective statement on his project, “The Neoliberal Production of Urban Space and Urban Subjects in India and Bolivia.”
  • Sophie Pavey, 4th year Faculty of Arts student, won a $2,000 prize for her reflective statement on her project, “Cosmographia.”
  • Ciara Albrecht, 4th year Faculty of Arts student, won a $2,000 prize for her reflective statement on her project, “A Memory of Skin and Bone: Lace as a Lifeline in Nineteenth Century Ireland.”
  • Ethan Lui, 4th year Faculty of Arts student, won a $1,500 prize for his reflective statement on his project, “Conflict, Cruelty, and Concern: Exploring the Negative Reactions to Vesalius’ ‘On the Fabric of the Human Body.’”
  • Ridhwanlai Badmos, 2nd year Faculty of Science student, won a $1,500 prize for his reflective statement on his project, “Investigating Suicide Rates Across Demographic Subgroups in the Muslim American Community Using Technical Frameworks.”

Students and their instructors provided short presentations about their projects, highlighting their effective and innovative use of library services, information experts and resources provided by UBC Library. The ceremony was followed by a reception for guests to meet the winners and learn more about their projects.

Guests meeting the winners and asking them questions about their project.

Guests meeting the winners and asking them questions about their project.

Congratulations to Joshua, Sophie, Ciara, Ethan and Ridhwanlai!

Learn more about the UBC Undergraduate Prize in Library Research and how you can apply for the 2026 prize.

Experience Kōdō: The Way of Japanese Incense

This May, we are honoured to welcome special guests from Japan for a weekend of public incense gatherings and lectures on Japanese incense tradition at the University of British Columbia. The program will provide a rich experience of incense culture with an array of activities focused around a special keynote lecture and symposium on Friday, May 23, and public incense gatherings on Saturday and Sunday, May 24 and 25.

This program is presented by the Dōjin Japanese Arts Society in partnership with UBC Library, UBC Department of Asian Studies, and Nitobe Memorial Garden.

Symposium to include:

  • Keynote Lecture by Master NISHIGIWA Jhōyo, Headmaster Designate of the Senzan Goryū School of Incense Tradition, Kyoto
  • Lecture “A History of Incense in Japan – From the Heian Period to Oda Nobunaga” by YANO Tamaki, Professor Emeritus, Dōshisha University, Kyoto
  • Lecture “Incense Woods and Incense Utensils Inherited by the Owari Tokugawa Family” by YOTSUTSUJI Hideki, Curator Emeritus, The Tokugawa Art Museum, Nagoya
  • Special viewing of Edo-period materials from the UBC Library Rare Books and Special Collections

Public Incense Experience to include:

  • 1 Incense session set in the traditional tearoom in Nitobe Memorial Garden featuring a single special incense (meikōgiki 名香聞)
  • 1 Incense session held ryūrei 立礼 style (seated at long tables) in the Asian Centre consisting of an exercise in discerning among several different woods in a seasonally themed scent-matching game (kumikō 組香)
  • Guided tours of Nitobe Memorial Garden
  • Matcha tea service
  • Educational exhibits and demonstrations


SYMPOSIUM

Date: Friday May 23, 2025
Time: 1:00 – 5:00 pm, preview of Rare Books and Special Collections from 12:00-1:00 pm
Location: Peña Room 301, Irving K. Barber Learning Centre, UBC
Fee: Free to the public
Registration is required.

PUBLIC INCENSE CEREMONIES

Dates: Saturday May 24 & Sunday May 25, 2025
Session Times: 10:00 am & 1:00 pm
Location: UBC Asian Centre & Nitobe Memorial Garden
Fee: $95
Registration is required.

For full program details and links to registration, please visit the official event page: https://www.dojinarts.org/experience-kodo-event-page

Applications open for the UBC Library Writer-in-Residence Program 2025/2026  

2025/26 UBC Library Writer-in-Residence Deadline to apply: June 30, 2025

Applications are now open to join the 2025/2026 UBC Library Writer-in-Residence program. This program provides a unique opportunity for a distinguished writer to engage with UBC students, faculty and community through enriching activities and events.

The Writer-in-Residence program at the Irving K. Barber Learning Centre (IKBLC) is an initiative designed to support and promote literary excellence within UBC’s academic community. Through this program, the library aims to foster a vibrant literary culture, encourage creative expression, and offer valuable insights into the writing process. The Writer-in-Residence also participates at Word Vancouver festival as a featured speaker.

The successful applicant will be an established author who has demonstrated a sustained record of excellence through publication with a recognized and reputable publishing house. While there are no restrictions regarding literary genre or form, applicants must possess a distinguished literary reputation, evidenced by critical recognition, awards, or other notable achievements within the literary community.

While residing within the Metro Vancouver area is not required, the Writer-in-Residence position requires an occasional in-person presence on UBC Vancouver campus throughout the residency period, which runs from  September 5, 2025, to April 30, 2026.

Apply online by June 30, 2025. For more information on program eligibility and benefits, please visit the program website.

 

Apply now

 

Preserving and Sharing the UBC Japanese Special Collection

New Books at the Asian Library (April 2025)

BL2238 C49 H33 2024
제주도 신당 이야기 / 하 순애 지음 / 제주 특별 자치도 제주시 : 한 그루, 2024

DS910.2 J3 K342 2024
근현대 한일 관계 와 국제 사회 / 강 상규, 김 세걸 공저 / 서울 특별시 : 한국 방송 통신 대학교 출판 문화원, 2024

DS916.5 A485 A53 2024
안 중근 의 평화 사상 과 인문학적 상상력 / 조 성환, 이 수임 엮음 ; 김 정현 [and 11 others] 지음 / 서울시 : 모시는 사람들, 2024

HV5801 C497 2024
마약 의 역사 / 조 성권 지음 / 서울시 : 지식 과 감성, 2024

JQ1729 A795 H66 2024
현대 정당 의 이해 : 개혁 이론 과 실제 / 홍 득표 지음 / 경기도 파주시 : 한국 학술 정보, 2024

NA7850 K62 M546 2024
힐튼 이 말 하다 : 기억 을 위한 서울 힐튼 기록집 / 김 종성 [and seven others] / 서울 특별시 : 램프 북스, 2024

PL907 K528 2024
외국어 로서의 한국어 습득 의 이해 / 김 경령 지음 / 서울시 : 한국 문화사, 2024

PL961.6 S556 2024
신새벽 의 시 읽기 : 일제 강점기 시인들 의 초상 / 신 명경 지음 / 서울 특별시 : 북랩, 2024

PL967.4 Y51827 2024
한국 현대 문학 과 사상 의 사계 / 이 경재 / 서울시 : 역락, 2024

PL992.415 C455 C43 2024
재판 인가 개판 인가 : 김 제방 역사 서사 시집 / 서울 : 문학 공원, 2024

PL992.9 S659 M66 2023
목련 바라밀 / 이 선 / 남양주시 : 실천 문학, 2023

PL994.62 K86 C46 2023
점점 가까워지는 국화 : 박 금산 가사 소설집 / 서울시 : 고요 아침, 2023

PL2727 S2 C52458 2024
“홍루몽” 읽기 / 최 용철 지음 / 서울시 : 세창 미디어, 2024

PZ50.52 N62 2024
너 에게 건네는 바통 / 글 진 선미, 양 수현, 이 혜미 ; 그림 어 수현 / 서울 : 샘터사, 2024

PZ50.531 S615 Mn 2024
만약 에 아주 만약 에 말 이야, 비 가 엄청 많이 오면 어쩌지? / 글·그림 서 영 / 경기도 파주시 : 웅진 주니어, 2024

TR642 S658 2024
서걱이는 바람 의 말 : 성 남훈 사진집 / 서울 특별시 : Art Lake, 2024

W50 C423 2024
의사 는 윤리적 이어야 하는가 : 의사 의 권리, 의무, 의료 윤리 의 한계 에 관 하여 / 장 동익 지음 / 서울 특별시 : 씨아이알, 2024

BL1138.62 A1 2020
श्रीमद्भगवद्गीता : संस्कृत मूल पाठ ; रोमन लिप्यान्तर ; हिन्दी अनुवाद ; अंग्रेज़ी अनुवाद / संपादक, अशोक कौशिक / New Delhi : Star Publications (P) Ltd., 2020

PK1947.9 T83 R33636
मानस-पीयूष / सम्पादक [एवं लेखक], श्रीअञ्जनीनन्दनशरण / गोरखपुर : गीताप्रेस, 2058 [2001]

PK2099.22 U696 A6 2024
रुद्राक्ष नीला है और समंदर काला : कहानी संग्रह / वन्दना गुप्ता / Vandana Gupta / नई दिल्ली : वनिका पब्लिकेशन्स, 2024

PK2099.25 A93 M36 2024
मंडी : कथा संग्रह / लेखक, जयंत / जयपुर : साहित्यागार, 2024

PK2659 G586 37 2022
ਦਾਸਤਾਨ ਦੀ ਮੌਤ : ਕਹਾਣੀ ਸੰਗ੍ਰਹਿ / ਗੁਰਮੁਖ ਸਿੰਘ ਗੋਮੀ / ਪਟਿਆਲਾ : ਸਪਰੈੱਡ ਪਬਲੀਕੇਸ਼ਨ, 2022

PK2659.J215 B45 2023
ਬੇਲਿਓ ਨਿਕਲਦੇ ਸ਼ੇਰ : (ਅਠਾਰਵੀਂ ਸਦੀ ਦੇ ਸਿਦਕੀ ਸਿਖ ਇਤਿਹਾਸ ਉੱਤੇ ਅਧਾਰਿਤ) / ਜਗਦੀਪ ਸਿੰਘ / [ਅੰਮ੍ਰਿਤਸਰ] : ਵਾਈਟ ਨੋਟਸ ਐਂਟਰਟੇਂਨਮੈਂਟ ਅਤੇ ਅਕਾਲ ਪਬਲੀਕੇਸ਼ਨ, 2023

PK2659 M157 M58 2020
ਮਿੱਟੀ ਬੋਲ ਪਈ : (ਨਾਵਲ) / ਬਲਬੀਰ ਮਾਧੋਪੁਰੀ / ਨਵੀਂ ਦਿੱਲੀ : ਨਵਯੁਗ ਪਬਲਿਸ਼ਰਜ਼, 2021

BQ8822 S888 2024
日本の山の精神史 : 開山伝承と縁起の世界 /鈴木正崇 / 東京 : 青土社, 2024

D743.23 Y67 2024
原爆映画の社会学 : 被爆表象の批判的エスノメソドロジー / 好井裕明 / 東京 : 新曜社, 2024

DS849 N4 K3745 2024
開かれていた鎖国 : 入り船と出船 / 片桐一男著 / 東京 : 勉誠社, 2024

DS877 M87 K39 2024
武士の道徳学 : 徳川吉宗と室鳩巣「駿台雑話」 / 川平敏文 / 東京都千代田区 : 株式会社 Kadokawa, 令和 6, 2024

DS881.5 O4 T69 2024
利通暗殺 : 凶刃に斃れた日本の”リーダー” / 遠矢浩規 / 東京 : 戎光祥出版, 2024

GR340 K2948 2024
妖怪を名づける : 鬼魅の名は / 香川雅信 / 東京 : 吉川弘文館, 2024

HQ759.915 I44 2024
住職はシングルファザー / 池口龍法 / 東京 : 新潮社, 2024

JQ1692 K36 2024
検証, 政治とカネ / 上脇博之 / 東京 : 株式会社岩波書店, 2024

LB775 H28942 M67 2024
じょっぱりの人 : 羽仁もと子とその時代 / 森まゆみ / 東京 : 婦人之友社, 2024

ND1059 O93 A4 2024
VIRAL: Enrico Isamu Oyama / 監修梁瀬薰 / 北杜市 : Nakamura Keith Haring Collection = 中村キース・ヘリング美術館, 2024

PL728.885 U73 2024
AI は短歌をどう詠むか / 浦川通 / 東京 : 株式会社講談社, 2024

PL737 K56 2024
物語の生まれる場所へ : 歌舞伎の源流を旅する / 木ノ下裕一 / 京都市 : 淡交社, 2024

PL825 A5 Z95 2024
檀一雄の従軍日記を読む / 山城千惠子編・著 / [Tokyo] : 新潮社図書編集室, 2024

PL872.5 A9276 G56 2024
銀色のステイヤー / 河崎秋子 / 東京 : KADOKAWA, 2024

PN1993.5 A1 O428 2024
ばらばらとなりし花びらの欠片に捧ぐ / 荻野洋一 / 東京 : Little More, 2024

Z463.3 K645 2024
2028年, 街から書店が消える日 : 本屋再生! 識者30人からのメッセージ / 小島俊一 / 東京 : プレジデント社, 2024

D810 C698 X86 2024
血与泪的文学证言 : 抗战文学”慰安妇”题材作品汇编 / 李存光编 / 北京 : 中国社会科学出版社, 2024

DS33 S6826 2024
制造亚洲 : 一部地图上的历史 / 宋念申著 / 桂林 : 广西师范大学出版社, 2024

HD9213 C62 S867 2024
清代两淮盐引案的历史社会学研究 / 孙绍文著 / 大连市 : 大连理工大学出版社, 2024

HQ250 A5 L589 2025
轻尘暗生 : 身体史视角下的宋代妓女 / 柳雨春著 / 北京 : 社会科学文献出版社, 2025

HQ684 A3898 2024
中国宗族通史 / 常建华主编 / 北京市 : 人民出版社, 2024

ND1049.C3356 A4 2022
常书鸿画集 / 常书鸿著 ; 赵声良主编 ; 敦煌研究院编著 / 长沙市 : 湖南文艺出版社, 2022

ND2849 T86 C435 2024
永远的敦煌 : 常书鸿, 常沙娜敦煌艺术珍藏集 / 常沙娜编著 / 北京 : 中信出版社, 2024

PL2275 P36 C3627 2024
流变中的书写 : 山阴祁氏家族与寓山园林论述 / 曹淑娟著 / 西安市 : 陕西师范大学出版社, 2024

PL2278 F66125 2024
卿本著者 : 明清女性的性别身份, 能动主体和文学书写 / (加)方秀洁著 ; 周睿, 陈昉昊译 / 南京市 : 江苏人民出版社, 2024

PL2886 U194 A6 2024
穆涛自选集 : 中国历史的学名叫春秋 / 穆涛著 / 南昌市 : 百花洲文艺出版社, 2024

The Chung | Lind Gallery celebrates one-year anniversary

People exploring exhibits in the Chung | Lind Gallery with wooden paneling and framed displays.

The Chung | Lind Gallery is celebrating the one-year anniversary since it opened its doors to the public on May 1, 2024. In the past year, UBC Library has celebrated many exciting milestones.

Partnering with UBC Studios, the Chung | Lind Gallery has launched a self-guided virtual tour, available now online. This immersive virtual tour places you in the Gallery, from the comfort of your own home—or anywhere else in the world. Explore the Gallery’s exhibits close-up and get a 360-degree view of the Gallery space.

Kicking off a remarkable year

After years of planning, construction, curatorial and design work, UBC Library announced in April 2024 that a new exhibition space was opening. The Chung | Lind Gallery, located in the Irving K. Barber Learning Centre on UBC Vancouver campus, would showcase two culturally significant library collections: the Wallace B. Chung and Madeline H. Chung Collection and Phil Lind Klondike Gold Rush Collection.

Following a special ribbon-cutting ceremony attended by members of both the Chung and Lind families and UBC president and vice-chancellor Dr. Benoit-Antoine Bacon, the Gallery opened its doors to the public on May 1, 2024.

Left: Members of the Chung and Lind families mark the official opening of the Chung | Lind Gallery April 19, 2024. Photo credit: Arlen Redekop. Right: Dr. Wallace Chung and family visiting the Chung | Lind Gallery before its public opening. Photo credit: Phoebe Chan, UBC Library Communications and Marketing.

Welcoming visitors to a new learning space

The Chung | Lind Gallery welcomed its first student class visit later that month, on May 23, 2024. The students visited the exhibit space with their instructor, Dr. Henry Yu, Associate Professor in the UBC Department of History, along with Musqueam Elder Gina Grant and University Librarian Dr. Susan E. Parker.

“The Chung | Lind Gallery has not only proven to be an exceptional space for research, teaching and learning at UBC, but also a welcoming space for community engagement and cultural enrichment. Thank you to everyone who has contributed to the Gallery this year,“ says Dr. Susan E. Parker, University Librarian.

UBC’s first class visit to the Chung | Lind Gallery on May 23, 2024.  Photo credit: Phoebe Chan, UBC Library Communications and Marketing.

Collaborations and community engagement

The start of the 2024/2025 academic year at UBC kicked off with a collaboration between the Chinese Canadian Museum, the Chung | Lind Gallery, and UBC Library’s Rare Books and Special Collections. On September 4, the Chinese Canadian Museum launched a new exhibition inside the Poy Family Gallery titled Reshaping Collections: Where History Meets Art featuring unique art creations that reinterpret materials from the Chung Collection, which also celebrated its 25th anniversary.

The Gallery began offering weekly drop-in tours in October, inviting visitors to stop by Saturday mornings at 11:15 a.m. for a free hour-long introductory tour of the Gallery’s collections. In November 2024, the Chung | Lind Gallery hosted a community archiving workshop with the hua foundation, a youth empowerment non-profit, based in Vancouver’s Chinatown, that works on racial equity and civic engagement issues.

Community Archiving 101 at the Chung | Lind Gallery with the hua foundation on November 7, 2024. Photo credit: Nathalie De Los Santos.

The Gallery partnered with UBC Music, Art and Architecture (MAA) Library to present a hands-on workshop on January 24, 2025, that explored visual literacy. Using contemporary and historical images, visual media, and material culture, participants compared the visual narratives of historical materials in the Gallery with art monographs and exhibition catalogues from the MAA Library and RBSC Library.

In February 2025, the Chinese Canadian Museum and the Chung | Lind Gallery joined together once again to invite kids and families into the Gallery for Kids Take Over UBC. Participants had fun engaging with a scavenger hunt, activity books, kids-focused tours, and a zine-making workshop with artist Stella Zheng.

Kids Take Over UBC at the Chung | Lind Gallery on February 16, 2025. Photo credit: Rachel Topham Photography.

Digitizing the Lind collection

Finally, in March 2025, UBC Library digitized the Phil Lind Klondike Gold Rush Collection,  publishing a digitized version of the collection online through Open Collections. Each of the collection’s approximately 1,400 items—which include books, photographs, postcards and printed textual records—were captured through the digitization process, making these materials accessible worldwide.

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